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Social Entrepreneurship attends a Lean Impact Summit

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RealSchool has been busy with so many different projects that we haven't had time to update our blog recently, but we're catching up, and in chronological order, we want to share what we've been up to.

Our Social Entrepreneurship team at the Lean Impact summit!

First, on December 5, the Social Entrepreneurship team attended the Lean Impact summit in NYC. Frisch English teacher Rabbi Daniel Rosen chaperoned, and we enjoyed his droll observations about the day:

In summary, first we went to the Coffee Bean and Tea Leaf on Bleeker. That was nice. Then, the first part was about funding.

The Social Entrepreneurship team enjoyed meeting the conference organizer Leeanne Pittsford, who gave them some tips about how to refine a project we're working on and will be pitching soon ;). The first thing Ronit Langer ('15) texted us from the conference was that in order to do something, "you've got to get out of the building." We couldn't agree more. 

Ronit also shared the following ideas she learned at the conference about social entrepreneurship:

Know your audience: be specific
Know your product: a service or solution to a problem
Is there demand?
Get rid of assumptions about everyone
Get young people
Find the root of the problem
Experiment

Find stories and use data
Deal with poverty: half the world that's not poor should want to get other half not poor
Find new ways to solve old problems
Build-measure-learn cycle, proposal-grant-execute-follow-up: takes a long time
Program can be started in as little as 9 weeks
Entrepreneurs pitched their ideas to the judges
and participants at the summit.
Judges critiqued pitches and gave tips on refining
presentations and business ideas.
A lot of the ideas the conference espoused are ones we value in RealSchool: rough demo-ing; failing fast to fail forward; learning by doing; believing in youth.
The RealSchool members also discovered the power and fun of networking, enjoying meeting young entrepreneurs, including Megan O'Connor from Pencils of Promise, an organization that two juniors at Frisch have brought to the school.
The students also kept hearing about Eric Reis' book The Lean Startup, which we immediately ordered and are now passing around in RealSchool.


All in all, the Social Entrepreneurship team got out of the building and got a lot out of the day!


Our First Student-Run App Making Workshops

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Today two RealSchool members -- Benji Cooper ('15) and Amitai Cohen ('15) -- visited Ben Porat Yosef, an elementary school in Paramus, NJ, to give workshops in coding and graphic design. Together, the workshops were an introduction to the world of app making. Benji started with the sixth graders and taught them the basics of coding, while Amitai ran an app design workshop for the seventh and eighth graders. Then the kids switched.

Amitai and Benji planning their workshops
Planning for the day was fun, as Amitai and Benji had to consider what it would feel like to teach and be in a session. Of course, we focused on creating an interactive, learning-by-doing workshop, so the students would be able to truly experience coding and app design and emerge from the day with a rough iteration they can build on in the future.

Benji began his workshop with how he got started in programming: in the eighth grade, with a program called Scratch, which happens to have been created in one of our favorite places, the MIT Media Lab. Here's Scratch's creator in a TEDx talk:


Check out Scratch here!

As a high school freshman, Benji moved onto learning the basics of programming by learning to code on his calculator, and by tenth grade, he was coding on his computer. To find out more about learning how to code, check out this introduction to programming from the Khan Academy.

In his workshop, Benji used Python to teach the students six functions:


Benji taught the students how to write a line of text;
add numbers; create an array; and more
Benji also taught the students how to make a
line repeat 10X. Students quickly had the computers
repeating a line 10,000X!
An unexpected bonus: Benji got to practice his Hebrew language skills,
with a student who spoke only in Hebrew.
Amitati also began his workshop by explaining how he got his start, in graphic design and app making. Amitai's father is in graphic design, and Amitai always liked to draw. Once he got a computer, he took his drawing digital, since he loved the fact that he could iterate so much more easily -- he loved failing fast to fail forward! Amitai drew his own bar mitzvah logo and entered Frisch ready to put his design skills to use. He quickly did so for the school chessed [charity] program as well as for RealSchool. We've shared before Amitai's amazing designs and logos for us!

Amitai explaining his start in graphic design
Here's the Superfood logo Amitai made for
RealSchool's Food Day program
Benji's workshop focused on the basics of coding, something kids can instantly see is important in app making. Amitai had to explain to students how important the design process is in app creation, but after doing so, the kids got busy designing a logo and three pages of their apps. Shira Ackerman, BPY's wonderful education technology director, had prepped all the students the day before, asking them to brainstorm an idea for an app they'd like to build. They spent the workshop time further iterating their ideas.

Amitai ideates with BPY middle schoolers
Morah Shira, BPY's edtech director, brainstorms with students

Amitai's workshop also included time for students to present their app ideas:

BPY students were poised and articulate during their presentation time.
They're ready for the business world!
This group's app is called Language Learner. . . 
. . . and this group also created an app that helps in
speaking a foreign language: it translates
what you say into the language you choose.
This group created a game out of the information they learned
about Egyptian history in their Social Studies class
We were really impressed by the fact that students created apps that helped increase and deepen learning.

Students also had time to reflect both orally and in written form on what they had done. We loved one student's response: he liked learning how much technology was capable of doing and the fact that it enabled him to be so creative.

We loved that students were so engaged in both of the workshops' activities, and we found the kids articulate, poised, and enthusiastic in their presentations. We were also deeply admiring of the students' creativity, genuine interest in learning, and ability to assess and comment on their peers' work. 

The middle schoolers asked Morah Shira if they could continue to work on both coding and app design even once the day was over. We're so glad that Benji's and Amitai's workshops sparked a desire to deepen learning in the BPY students, and we loved the opportunity to have students teaching students. Peer learning: it's the way to go!

26 Acts of Kindness Day at The Frisch School

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Oren ('16) created this logo for our Acts of Kindness Day;
the logo graced the homepage of The Frisch School's website yesterday
Last year, after the horror of the shooting at the Sandy Hook Elementary School in Newtown, CT, a Twitter hashtag #26Acts encouraged people to do 26 acts of kindness on December 26 in honor of the 26 victims of the massacre. We participated, blogging about the day here, and decided to repeat the experience this year, since it was such a moving one.

However, our Acts of Kindness Day took on a significantly deeper meaning because of a student's initiative. At the end of the last school year, Talia ('15) took a Twitter chat final in my [Tikvah Wiener's] class. Inspired by Ken Gordon of PEJE and JEDLAB, who speaks often about making connections and cultivating interesting relationships, I asked the students, for the final, to reach out to the authors of their outside reading books (provided the authors are still living; anyone who can get in touch with Shakespeare gets MAJOR extra credit). Talia had read An Invisible Thread by Laura Schroff, and she contacted Laura who wasn't able to get back to her until after our final. Nevertheless, the two began corresponding, with the result being Laura's speaking at Frisch on December 11, a few weeks ago. 

The entire student body as well as parents who had read the book heard Laura tell about her inspiring story: how she stopped one day on the street to take an 11-year-old boy named Maurice Mazyck out to eat, since he was homeless and hungry, and how 28 years later they are like mother and son. Laura's visit to Frisch moved us all.

When we were preparing for her speaking event, Laura mentioned her acts of kindness pledge, which she has posted on her website and is encouraging the public to participate in. Her acts are partly based on the activities she and Maurice particularly enjoyed doing when he was growing up, such as sharing meals and baking cookies. When I mentioned Frisch's Acts of Kindness Day and said we would incorporate An Invisible Thread's acts of kindness pledge into it, Laura immediately decided to spend the day with us. But she brought a surprise: Maurice! 

What better way to kick off an Acts of Kindness Day
than with Laura Schroff and Maurice Mazyck,
whose relationship is based on an act of kindness?
The excitement in the auditorium was palpable as Laura entered the room with her surprise guest, and students saw that it was Maurice, whom they had only seen in a video the day Laura initially spoke at the school. Thundering applause welcomed Maurice, as he ran down the aisles and high-fived the students. Then he and Laura spoke, telling of the profound impact acts of kindness have on people and the fact that we don't know how our moments of compassion can help or save a life. 

Students were so excited to meet Maurice and to see Laura again!
They had been so touched and inspired by their story.
We were delighted that Laura also brought her co-author Alex Tresniowski to Frisch to share our acts of kindness day. Alex, who wrote for People magazine for many years, covering human interest and crime stories, is now at work on a book about the unique love story of two Holocaust survivors. We can't wait to read that as well!

After the schoolwide address, we checked one item off of our acts of kindness list for the day: sharing a meal with someone we care about. Students in my junior English class, who had worked tremendously hard putting the day together, as well as the students in Ramp It Up, RealSchool's literacy program, ate breakfast with Laura and Maurice. 

Talia ('15), who got this WHOLE thing started with her email, Laura,
Maurice, and Rabbi Ciner pose in front of our McFrisch sign! 
Breakfast at McFrisch!
We created McFrisch, turning the conference room into a kosher McDonald's, since McDonald's was the restaurant Laura took Maurice to when she first met him. It was also a place they returned to often over the years. Thanks to Frisch's chef Kimberly Carey who made kosher egg McMuffins and Tator Tots for the occasion! For the rest of the day, we had students write on the McFrisch sign an act of kindness they had performed, and when Laura and Maurice left, we gave the sign to them.

At 10 am, the next part of the day got underway. Frisch parents Patty Borodach and Sari Schiff chaperoned students to a homeless shelter and an old age home. Last year, our acts of kindness were all on campus, but this year we wanted to go off site as well. Of course, the students are used to going off campus, on chessed [community service] trips, and Rabbi Josh Schulman, Frisch's Director of Chessed, had arranged for students to work with special needs children this week in Friendship Circle camp, something Frisch does every year at this time. 

We added to the chessed program with the trips to the homeless shelter and old age home, thinking some non-profits might be understaffed during Christmas week. The students proved very helpful at the old age home, where they were needed not only to visit the elderly but to do office work. The homeless shelter was a big success as well, with the YWCA Women's Shelter of Elizabeth telling us Frisch can return anytime. From the reaction of the students to the trip there, I think that may happen soon!

Going off site to do chessed, with our wonderful parent chaperones 
Esther ('15) makes this cute baby smile!
Eitan and Arianna ('15) play games with the kids at the shelter.
We collected educational games and donated them to the shelter when we came.
Ronit and Arianna have fun with the kids!
At a home for the elderly in Passaic!
Back at school, students were signing up to do acts of kindness and getting to hang with Laura and Maurice as they did so. Thanks to you both, Laura and Maurice, for signing books and taking countless photos during the day!

Students sign up to perform 26 acts of kindness 
Maurice and Talia
In preparation for the day, my junior English class, who has spent the semester learning about the American dream and how it sometimes fails, and my Hot Topics SIM CITY class, which has been busy creating a virtual world, got the chance to make the real America a kinder place. My juniors prepared the list of the 26 acts of kindness, basing it on Laura's acts of kindness pledge. Here are the acts we came up with:


1.     Hold the door for other people
2.     Be quiet during davening [ prayer] so others can pray
3.     Share a snack with your class
4.     Smile at a stranger
5.     Buy lunch for a friend
6.     Say ‘thank you’ to all staff
7.     Cheer up a sad friend
8.     Lend someone a pen/pencil
9.     Donate your change from lunch/ breakfast to tzedakah [charity]
10. Help someone who is struggling with homework or a test
11. Throw your garbage out when you’re done eating
12. Help someone open their locker
13. Say ‘sorry’ when you bump into someone
14. Compliment somebody
15. Start a conversation with someone in your grade you usually don’t talk to
16. Write a nice note to someone
17. Lend someone a sweater because it’s always cold in school
18. Clean up after someone who left a mess
19. Get your teacher a beverage of their choice
20. Give your old notes to someone in a lower grade
21. Expand your lunch table
22. Call your grandparents
23. Text your mom/dad you love them
24. Do something nice for your sibling(s)
25. Leave change in the copy machine for the next person
26. Do something nice for yourself

Michele Gudis ('15) came up with the idea of having QR codes that you scan to give you a slide show of compliments. Here are the flattering things the class had to say to their fellow Frisch students:


1.     You look really nice today
2.     You look so pretty when you smile
3.     You’re a good friend
4.     All your friends worry they aren’t as funny as you
5.     You are the most charming person in a 50-mile vicinity
6.     You could pull off orange corduroy
7.     9/10 dentists agree you are the best
8.     Rumor has it Disney is basing their next cartoon on you
9.     You’re sweet as a can of artificially flavored diet soda
10. The kid you passed on the street today wants to grow up to be just like you
11. You’re funny. Like, LOL style
12. Your hair looks great today; it also looked really good two days ago
13. That song was definitely written for you
14. Your cousins refer to you as the cool cousin
15. Never change, you’re the best you
16. Every country is jealous that you’re a citizen in this country
17. Those shoes were a great call
18. You deserve a piece of chocolate
19. Your parents are more proud of you than you will ever know
20. Today’s outfit = thumbs up
21. You actually looked super graceful that time you tripped in front of everyone
22. You did a really nice thing today
23. You rock the gym uniform
24. You’re wonderful
25. If I had a golden ticket I would give it to you
26. You doodle like Picasso

We really love #21!

The juniors also arranged the off site trips, made the McFrisch sign, contacted Google about changing its logo for the day to the one Oren created (Google never got back to us, but we like the big dreaming thinking!), drew artworks about kindness and cyberkindness, and created an exhibit about literary acts of kindness.

On the left is the QR code of compliments,
while the word doodle about kindness and the student-made take on cyberkindness
are in the middle

This is what we based our student-made cyberkindness poster on;
it's one of our favorite school posters!
My Hot Topics SIM CITY class was responsible for an exhibit to end racism, based on the book The Immortal Life of Henrietta Lacks, which depicts the awful effects of segregation and racism in early and mid-twentieth-century America. Maurice immediately took a picture under our End Racism sign.

The Hot Topics students also had fun converting the freshman lounge into a napping station and hair and manicure salon for the lunch periods of the day. After all, act of kindness #26 was "Do something nice for yourself."

Seniors Ben and Jacob set up napping stations for students to enjoy
during their lunch periods
If Google can have napping pods, why can't we?!
The freshman lounge became a spa for our Acts of Kindness Day

In the afternoon, we had the pleasure of having Frisch alumnus Ariel Sterman share with various classes the good work he's been doing. Have you heard of Good St.? Well, you should check it out:



Ariel and a group of friends at NYU have started this awesome organization, which has participants donate a quarter a day and then get to choose from a selection of two charities Good St. proposes, each of which addresses a particular cause of the day. Yesterday's cause, for example, was childhood obesity, and participants could choose to donate their quarter to a charity that teaches fitness and health to kids or to one that gets kids active and moving. 

We loved that Ariel shared the good he's doing in the world with our students and also showed them how to be entrepreneurial and proactive. Student-driven learning is something you know we're passionate about!

Ariel shows how Good St. funds get divided between the two daily charities
We love that Good St. gets donors engaged with the giving process
Seniors got to shmooze with Ariel about how to get a non-profit up and running
Maurice, Laura, and Ariel
The day wouldn't be complete without a video crew documenting it all. Thanks so much to Daniel, Oren, and Ayal ('16) who captured the day on film and are now working on a video about it. 

Maurice and Laura stop to film for the video crew
Our film crew (and me) with Laura and Maurice

Finally: there are really no words to describe the sadness and horror we feel over what happened in Newtown last year, and we still cannot imagine the pain and anguish that the parents and loved ones of the victims must live with. We can only offer our acts of kindness as a gesture to them, as an affirmation that despite the senseless violence and hatred that exist in the world, the majority of people in it, we believe, want to do and be good, and if there's a way to pay that good forward, we will do everything in our power to find it.

I mentioned to some of my colleagues and friends, after Laura's first visit to Frisch when I saw how moved the students were by her and Maurice's story, that if they are society's "rock stars," that is, if their story is the one having such a profound effect on people, then the world can't be such a bad place. 

"How wonderful it is that nobody need wait a single minute before starting to improve the world." 
               -- Anne Frank

Student Feedback on Benji and Amitai's App Making Workshop

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Thanks to Shira Ackerman from Ben Porat Yosef for having her junior high students reflect on the App Making Workshop. Reflection is such a key part of PBL and learning in general, and we appreciated hearing what the BPY students got out of the day:

“It surprised me how important the process of design was to the creation of a project. It actually makes sense, if you think about it. Design is the way that people interact with the product, which I find is an interesting way of looking at it. The process of making an app was fun, and I liked the project. As for coding, I really enjoyed it. Python is my favorite programming language, and I find it really cool. I enjoyed the class, as I was also helping out other kids. Also, Python 3.3.3 fixed some of the things I'd didn't like in python 3.2… I really enjoyed the entire process, and so I thank you for giving us your time. I found it interesting how code and design work together efficiently. It was a really fun experience.”

“...There are many things that I learned that you could do with making apps and making flyers, etc.  The person in from Frisch from the design class, was a really nice and cool person.  Me and my group came up with an app that was actually from my perspective a really good app.  ...I want to say thank you so much to Amitai for teaching me cool things about design.”

“Thank you for taking the time to come to our school. I really enjoyed learning about coding. I learned a lot of codes which I want to try at home…. I learned that designing is a large part of technology.”

“I thought it was very fun. It was really cool learning to write code and awesome seeing all of Amitai's graphics. My favorite part was getting to make an app.”

“I learned how hard it is to make an app. I knew almost nothing about coding but I learned a lot today.”



אני נהניתי מלצייר את האפ שלנו וגם למדתי על הקודים זה היה מאוד
מעניין ושמחתי להכיר את הנושא הזה
תודה
“I learned a lot from this experience. I never knew that there was code on a computer. It's so much fun to write code and I learned a lot about  how to design apps and write code.”
“I think it would be really amazing if we could actually make an app, coming up with the idea, and designing it. I never really knew about the process of making an app, never really thought about it, but now that I learned about it, I would maybe like to learn more  about it.”
“I learned many things about coding and app designing. I learned how to design an app and that there are many different apps that you can create. It was cool to do this because as an everyday thing, I use different apps. So it was very cool to create my own. I started out from knowing nothing about coding and today I learned about the many different ways that you can give the computer functions. I learned how to make a variable with code and I also learned how to just plan type with code...I really enjoyed learning so much about coding and app designing. I realized how humongous the world of coding and app designing is. Thank you for giving me this experience.”
“...I enjoyed it and might want to have a job in the programming field.”
“I learned a lot today about coding. Some parts are a bit new to me, but some other parts I knew could be done. We used coding to do math problems just like a calculator but it could understand a lot more like order of operations and variables. I think the whole idea of coding is really cool and it's a lot of fun to play with. Special thank you to Amitai and Benji for taking time out of their day to come and show us these technology tips and talk to us about how to do coding!”
“It was a very cool experience to design and to code. My grandparents are computer programmers so it was cool to go through what they do. Thank you to Benji and Amitai for coming out of their way to do their workshop.”

“I really enjoyed the workshop today. I learned a little bit of python, a programming language that I never knew before. I worked on designing an app, and I hope to actually create it.”


Why Frisch has Shiriyah (and not Midterms)

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Every year around this time, students at Frisch find themselves explaining the phenomenon of not having midterms but instead having a week-long, schoolwide, uber-Color War called Shiriyah. This is how the conversation goes:

Non-Frisch person: So when are your midterms?

Frisch student: We don't have midterms. We have Shiriyah.

Non-Frisch person: You don't have midterms?

Frisch student: No. We have Shiriyah.

Non-Frisch person: How can you not have midterms?

Frisch student: We just don't.

Non-Frisch person: And you have Color War instead?

Frisch student: Shiriyah isn't like an ordinary Color War.

Indeed, it is not.

This "educational extravaganza," as Frisch English teacher Ruth Wang-Birnbaum calls it, has grown more and more elaborate over the past decade, as Rabbi Eli Ciner, Associate Principal at Frisch, has taken the basic model of a Color War program and built out of it a grand edifice of passion-based, whole-person learning. And that's why the school has, over the years, replaced its midterm schedule with this rich learning experience.

Frisch is a modern Orthodox (Jewish) private school, and one of its main goals is to create opportunities for students to engage with their religion and its texts in meaningful and memorable ways, so that students leave with a love of Judaism that will last a lifetime. In truth, any good educational program should do the same. What do we mean? We don't mean every school should be converting people into good Jews; what we mean is that the best educational models include character building and meaning-making programs and address the needs and aspirations -- social, emotional, intellectual, spiritual -- of the whole child.

Shiriyah does just that.

As we prove how, we'll also explain what the program involves, though trying to describe the magical quality of Shiriyah is rather like trying to bottle fairy dust.

Elements of Shiriyah 


Shiriyah begins with a breakout that is supposed to be a surprise to the students, but that they are usually aware of well before their teachers are. The intense excitement the students feel over Shiriyah breakout itself speaks volumes about the cherished place it has in the kids' hearts: the program even has its own short theme song, a rallying cry Rabbi David Goldfischer, a teacher at Frisch, made up a few years ago, that became popular and can be heard in the halls at Frisch a few weeks before the program even starts. 

Ben, a Frisch senior, with Rabbi David Goldfischer,
who creates the Shiriyah breakout videos.
Ben got into the breakout spirit -- which
had a Cougar Cub Scout theme and
played on the viral YouTube hit "What does the fox say?" --
by dressing in a Boy Scout uniform
The video Rabbi Goldfischer makes for Shiriyah breakout ends by telling the students the theme for the year and announces which generals and captains have been chosen for each grade. Once again, you can tell how intensely excited the students feel about Shiriyah from the way they respond to the selection of the generals and captains: as if they all have won the lottery!

This year's theme asks each grade to reflect on a different aspect of holiness in Judaism:

Freshmen: Holiness of Man
Sophomores: Holiness of the Temple
Juniors: Holiness of Time
Seniors: Holiness of the Land of Israel

Barely contained pandemonium is a good way to describe
Shiriyah breakout at Frisch!
The generals and captains then meet with Rabbi Ciner and their grade advisers to make sure they know what's expected of them, but the truth is, unless the school adds a new task, every student is aware of the projects each grade needs to complete and has a good idea of where and how she wants to use her talents. Here's a list of the tasks each grade needs to perform for Shiriyah. The knowledge that all this needs to be done in a week creates a panic-induced nausea that's coupled with barely-contained excitement. All in a good, it's-like-being-in-a-reality-show kind of way.

Hallway (Explanation to follow)
Fast Song
Slow Song 
Stomp
Banner
Mural
Video
Stop-Motion Animation Video
Project Runway
Cake Boss
Charity Drive

Highlights from This Year's Shiriyah


The Frisch website has amazing coverage of Shiriyah, but here are some highlights as well:


Hallway: Each grade needs to transform its hallway into, basically, a piece of installation art: a multi-media, artistic expression and reflection of the aspect of the Shiriyah theme that the grade has been assigned. The hallway is the most extensive and intensive Shiriyah project, requiring a herculean effort on the part of the students, who have to comb through Jewish texts to find appropriate ones for their theme; come up with an artistic vision for their hallway; and bring that artistic vision to life. One freshman told us he spent six hours pushing tiny, white Christmas lights through black butcher paper to create the effect of stars during the creation of the world. That task was done for one small part of the freshman hallway. 

The junior hallway this year begins with a section
that uses games to illustrate holiness of time
The sophomores begin their hallway transformation

The back of the school cafeteria has been turned
into a workshop for hallway production






































Mural: Each year a different area of Frisch gets transformed by student artwork. This year, it was the wall near the school's cafeteria. The process of painting the murals begins with art teacher Mrs. Ahuva Mantell's suggesting various artistic styles which students can mimic. 

A no-walking zone was quickly established near the murals
Freshman Levi outlines the freshman mural,
which last Thursday looked like this . . .


Less than a week later, a Keith-Haring-inspired mural
now depicts ways a Jewish person can make himself holy.
Getting started on junior mural
The juniors chose to depict a youth and an old man
as part of their mural's reflection on holiness in time
Letting off some steam: the muralists doodle on plastic covering
the wall opposite their work

Songs: So much of Shiriyah is an immersion in the arts, and song plays an important part of the experience. Each grade has to show unity when singing both its fast and slow songs. When Shiriyah first started at Frisch, a faculty member played the songs on a keyboard. Now each grade has a full band. The seniors, below, practice their songs. [Note: Shiriyah actually means song-a-thon in Hebrew, though obviously the program has become much more than that.]

Esther, in the foreground, practices with her bandmates

Stop-Motion Video: One of the most important parts of Shiriyah is its ability to allow students who shine in the arts to use their talents, something they may not be able to do on a daily basis in the traditional classroom. Another area where students can shine is in digital media. Three years ago, a stop-motion video was added to the list of Shiriyah tasks.

The sophomores have turned a classroom into a stop-motion
animation studio. We love the green screen, guys!
Charity Drive: For those with a social entrepreneurial bent -- and there are a lot of them at Frisch -- selling food and other items for charity is the preferred Shiriyah activity.

The juniors have set up a coffee shop in the cafeteria.
Items for sale by other grades include freshly baked challah [bread],
homemade granola, candy, soda, hair ribbons, and more. 

Collaboration


Seniors working together on their hallway
One of the most important parts of Shiriyah is its collaborative atmosphere. At any moment, when walking through Frisch, one can see students painstakingly cutting out letters for hallway texts; lugging lumber and other Lowe's-bought objects; splattering paint onto butcher paper; working on dance moves for Stomp; putting their arms around each other as they practice their team's songs; directing each other in videos. And they're doing these tasks in a spirit of collaboration, knowing each person's efforts are working towards the larger goal of building their grade's Shiriyah experience for that year. 

Ostensibly, Shiriyah is a competition, and yet, though the students work tremendously hard, the focus of the week-long contest is not really on who wins (generally, the grade scores reflect the age order, with seniors coming in first, juniors following, etc.). As Frisch English teacher Meryl Feldblum says, "The competitive nature of Shiriyah is not one student or grade versus another; it's a competition against yourself.  Each student and grade is trying to top their previous best; they are pushing themselves to reach their full potential.  It's not about winning or losing; it's about creating a final masterpiece."

Passion-Based, Self-Directed Learning


We think the "final masterpiece" is not so much Shiriyah night -- the culmination of the week's activities -- or the temporary and permanent projects that emerge from the event. Rather, the masterpiece is Shiriyah itself, this special moment in time when everyone is engaged, busy, passionate about what they're doing. No one tells the students what to work on or how to finish their tasks. No one tells them to stay late at school each night or to drive to three different art supply stores to find just the right product for their hallways. They work and work and work because they want to, because their learning is fun, challenging, meaningful, and something they really want to do. As Rabbi Michael Bashist, junior grade adviser and teacher at Frisch says, "In Shiriya we trick the kids into learning, by making them think they are tricking us by missing class."

Which brings us back to our original point: though students during Shiriyah are "missing class" and "not taking midterms," they're involved in one of the most valuable learning experiences of their lives, one that will remain with them much longer than any formula or date they may memorize. Students at Frisch work very hard and get into fine colleges; their academic careers are not being sacrificed for this one week. Just the opposite: their intellectual growth is being rounded out by a program that provides them with an intensely positive spiritual and emotional experience, that challenges them to grow as artists and creators, and that addresses their need to be joyous and celebratory learners.   

As Dr. Johnny Krug, Dean of Student Services at Frisch, says, "I stand in awe of the creativity and innovativeness of our students and absolutely marvel at what is going on, being produced and, more than anything, what is being accomplished."

If you're in Paramus, NJ on Thursday night, January 9 at 7:30 PM, follow the thundering sound of 550 outrageously excited Frisch students and come to Shiriyah, where you can experience the fruits of passion-based learning.

Rabbi Eli Ciner, who made Shiriyah the amazingly unique
learning experience it is at The Frisch School today.
Here he directs the sophomores in their song!


Additional Resources

This year, Frisch made Shiriyah even more official by creating rubrics for the tasks. Below is a sample one:


1-2
3-4
5-6
7-8
9-10
Creativity
Demonstrates no complexity of Torah thought in the hallway design
Demonstrates minimal complexity of Torah thought in the hallway design
Demonstrates adequate complexity of Torah thought in the hallway design
Demonstrates complexity of Torah thought in the hallway design
Demonstrates superior complexity of Torah thought in the hallway design
Digital Content

Digital content is missing or is poorly integrated in to the theme, texts, or presentation of the hallway. 
Digital content addresses theme or an understanding of the Torah content or is part of the oral presentation of the hallway. 
Digital content adequately supports theme, creativity or an understanding of the Torah content or is an adequate part of the oral presentation of the hallway. 
Digital content inventively deepens theme,   creativity or an understanding of the Torah content and is an integral and innovative part of the oral presentation of the hallway
Digital content masterfully deepens theme, creativity and an understanding of the Torah content and is an integral and uniquely inventive part of the oral presentation of the hallway
Artistic endeavor
Demonstrates poor execution of forms, barely   representing objects within the intended style of the genre.
Use of color is inappropriate, and the composition is not clean and does not reflect an understanding of the space for which it was meant.
Demonstrates  inconsistent execution of forms, at times representing objects within the intended style of the genre.
Use of color is somewhat appropriate, and the composition is sometimes clean and minimally reflects an understanding of the space for which it was meant.
Demonstrates adequate execution of forms, representing objects within the intended style of the genre.
Use of color is appropriate, and the composition is clean and reflects an understanding of the space for which it was meant.
Demonstrates advanced execution of forms, representing objects within the intended style of the genre.
Use of color is appropriate and thoughtful, and the composition is clean and reflects a clever understanding of the space for   which it was meant.
Demonstrates adequate execution of forms, representing objects within the intended style of the genre.
Use of color is appropriate and inventive, and the composition is clean and reflects a masterful understanding of the space for which it was meant.
Use of theme
No expression of theme and its relevance beyond the text.
Poor expression of theme and its relevance beyond the text.
Adequate expression of theme and its relevance beyond the text.
Complex expression of theme and its relevance beyond the text.
Masterful and superior expression of theme and its relevance beyond the text.
Torah
Lacks required use of texts or presents inaccurate or incomplete incorporation of texts from the Jewish tradition.
Shows simplistic and/or flawed references to texts from the Jewish tradition.
Shows adequate and accurate use of any texts from the Jewish tradition
Shows inventive, accurate and thorough understanding of any texts from the Jewish tradition.
Shows masterful, comprehensive and interpretively creative application of any texts from the Jewish tradition.

Resources for PBL

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If you want to start incorporating elements of PBL into your classroom but don't know where to begin, how about trying to break down the components and introducing them slowly? You can start with the component that seems easiest, most interesting, or most inspiring to you.

First, let's start by reviewing the different components of PBL:



We're going to focus in this blog post on a few different elements:

ARTS INTEGRATION


The arts can be used in the PBL classroom in many ways: as a final product, as a type of assessment, as a reflective tool and more. Check out why arts integration is an important educational tool:



The arts can also help build deep and beautiful work, as shown here by Ron Berger:



DEEP LEARNING


One effect of PBL is deeper learning. But don't take our word for it. Hear it from a student:




DIGITAL MEDIA



Obviously, there's no end to the types of digital media one can incorporate into a PBL project. Ask yourself:

Will I curate content digitally to share with my students as we gather information for a PBL unit? Are students curating the content? If so, are they sharing it on a digital platform? 

Does the class need a cloud-based, knowledge-sharing platform such as Google Drive in order to gather and process information?

Are students creating digital content? Will the content be online and/or for a public audience? 




PBL FOR ALL LEARNERS


PBL is for any learner in any setting. Check out what Ron Berger has to say on the subject:

Highlighting Student Work


RUBRICS

Our go-to place for rubrics is bie.org. Here's a link to the organization's amazingly useful rubrics:


RubiStar is a rubric-making website you can use to create a rubric. 

Here's a rubric for learning goals that we developed for students to use when they first began a project:



KNOWLEDGE


Focus: content


What knowledge do I need to have to complete this project? What knowledge do I want to gain?

SKILLS


Focus: reading or math literacy skills; critical and analytical thinking skills; oral presentation skills (including interviews); etc.
What skills do I need to hone in order to complete this project? What adjunct skills am I going to need to develop?
CREATIVITY


Focus: artistic and digital media skills


How will I demonstrate my creativity in the assignment in digital and/or artistic ways? Are there additional ways I will demonstrate my creativity?
COLLABORATION


Focus: being a team player


What will I contribute to the project? How will I use my talents and skills to enhance my group’s work?
FAILURE


Focus: resilience and flexibility and adaptability skills


How did I fail over the course of the project? What did I learn from the failure, and how did I reframe based on my failures?






























We've left room for students to fill out the form with four goals per category, but obviously the form should be individualized for each student and course. Students and teachers can also add and subtract categories as needed.


STUDENT VOICE AND CHOICE




RESOURCES FROM THE FRISCH SCHOOL


Following are resources from The Frisch School developed by students and teachers, pertaining to all the elements of PBL described in this post. Enjoy!




The Importance of Reflection

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Reflection is one of the key components of PBL and for good reason. One of the things PBL affords students is the chance to understand why they're learning what they're learning. Students shouldn't be sitting in class wondering how their course work relates to them or their world. Reflection gives students a way to contemplate the relevance and importance of their learning, and it also lets teachers know that the students are grasping the material in a deep and significant way. The feedback loop in PBL keeps students and teachers aligned in their learning goals.

Following is an example of student work that displays the kind of deep learning that can take place with PBL. The assignment -- which offered students voice and choice, another key component of PBL -- asked a class of juniors to discuss how they saw the American dream, after seeing it from a myriad of perspectives over the first semester of an American literature course. Students had read The Things They Carried by Tim O'Brien and The Immortal Life of Henrietta Lacks by Rebecca Skloot over the summer; during the first semester, they also read The Scarlet Letter and The Crucible and had become familiar with Romanticism and the Romantic hero.

PBL also makes sure that student work has authentic purpose. In this class, students chose a type of injustice in America today and investigated it in groups, sharing their findings with the class; they also had to read one article from a New York Times series about American children living in poverty. Finally, the class planned and executed an Acts of Kindness Day on December 26, in honor of the 26 victims of Newtown and as a way to begin addressing unfair treatment in American society.


Here is Liat's wonderful assessment of the semester. We particularly like the personal details she includes in the essay, discussing her great-grandfather's experience with the American dream:

Reflections on the Semester
Had I been asked four months ago to define the “American Dream,” I would have answered with a laugh and resorted to cliche.  “To live the American Dream is to raise a family with 2.5 perfect children, and to own a large, spotless house--complete with a white picket fence and a dog (probably a Golden Retriever).” Had you asked me the same question one month ago, however, I would have hemmed and hawed and been forced to deliberate my answer--finally declaring that based on my discussions in English class, there is no concrete definition of the notion of the “American Dream.” But ask me today and you’ll find my answer is far more long-winded (five and a half pages, to be exact). To me, the American Dream was not, is not, and cannot ever be a static idea, but rather is one that is constantly changing and is reflective of our history.  But however one defines the American Dream at a particular point in our nation’s timeline, the concept of “opportunity” is a central theme throughout its course.

In the early 1600’s, the Pilgrims fled Europe for the New World.  In their version of the American Dream, America was not a place where individuals could practice religion as they saw fit; but rather, America was a haven from religious persecution, where the pilgrims could enjoy the liberty of starting their very own theocracy. The Dream underwent a transformation when the Bill of Rights was signed into law in 1791. It promised certain, inalienable protections to each and every resident of the U.S.A., including freedom of religion, freedom of speech, and freedom of the press.  A citizen living the American Dream could voice open expression of his ideas andbe whomever he chose to be.  Following the civil rights movement of the 1960’s, an essential part of the American Dream’s new identity became the new freedoms the United States offered to minorities and people of color.  With the advent of feminism in the seventies, the American Dream morphed into one of equality of the sexes.  A woman could now own the American Dream in the same way as a man, expecting the same freedoms and opportunities which he enjoyed.

Alongside all of these versions of the American Dream, there has existed a parallel text of the American Dream.  In the late 18th century, enterprising opportunists first sought to buy huge tracts of farmland. In the 19th century, young men journeyed west in the Gold Rush.  In the early 20th century, Jewish immigrants left their homes and communities to reach the “Goldene Medina.” This trend continues through today, as America has been known as the land for great personal financial growth. There is, however, a huge flaw in the American Dream that I’ve witnessed throughout this semester’s class, and that is that individual Americans often fail to live up to these evolving expectations.

In the literary works that we have read so far this year, the American Dream has proved elusive to many characters--both fictional and nonfictional. In Nathaniel Hawthorne's The Scarlet Letter, Hester, a true romantic hero, journeys to America knowing full well that she will be living in a Puritan theocracy. Despite this prior knowledge, Hester still feels trapped by the confines of her community, and seeks refuge in the forest or by the sea. As my group came to understand, through a deep analysis of the symbols of town, forest and sea, Hester cannot truly escape the “town,” which represents societal and religious ideals, into the uncontained “forest” and “sea,” both of which represent the ability to make different choices and the capacity for human growth and change. At the conclusion of the story, Hester’s daughter decides not to follow her mother back to America.  I would suggest that both she and her mother have been disillusioned by the scope of the American Dream, and that the narrow freedoms it offers are still too restrictive.

Arthur Miller's The Crucible can be read on an allegorical level as the story of the failure of the American Dream.  In the fifties, McCarthy began to point fingers at his political enemies, igniting a frenzy that was akin to the Salem witchcraft hunt of the 17th century.   Miller himself was blacklisted and, I believe, this experience taught him that the freedoms of individual expression are tenuous and not guaranteed, despite the promises of the First Amendment.  

In Tim O'Brien's book, The Things They Carried, the author relates fictional stories of soldiers during the Vietnam War. During the war, young men were forcibly drafted into the army and into a war that they did not support, believe in or even understand.  I think that O’Brien is presenting a highly critical picture of the callousness of our leaders in sending these young men off to die, and is calling the government out on its failure to protect the rights of the individual.

In Rebecca Skloot’s, The Immortal Life of Henrietta Lacks, Henrietta and her family are wronged by the American scientific community on multiple levels.  Henrietta’s personal freedoms were violated when the doctors failed to get informed consent on the use of her cells.  Though there was no active cover-up in the successive two decades, during which the civil rights movement was taking hold, I believe that her descendants were failed by silence--by the passive acceptance of those involved that there was no need to acknowledge Henrietta’s pivotal role.

At the beginning of the semester, when we were asked to write a Declaration of Independence, I declared myself independent from “The Patriarchy that is 21st Century American Society.”  I recognized a series of blatant strikes against the Dream as I wrote about male-centered language, male privilege, slut shaming, indecent media portrayal of women in the media, unequal job opportunity, and unfair wage gaps. I can only hope that I will not be disappointed in adulthood when it is my turn to transform my Dream into a reality, and that I will find the true equality of men and women that it promises.

As I sit here reflecting on this semester (or rather half reflecting and half lamenting the end of shiriyah!), I envision the possibility of success and am not convinced that all American Dream stories need to end in failure or disillusionment, though it makes for good reading and discussion.  Over Thanksgiving weekend, my grandmother shared some fascinating family history with me.   As it turns out, my great-grandfather, Grandpa Sam z”l, was a hobo during the Great Depression. As an 18 year-old, he was without employment for over a year.  He rode the rails from coast to coast looking for day work, earning a pittance in order to keep from starving.  He received occasional handouts from the Salvation Army and benefited from meals in their soup kitchens.  But, years later, he managed to become an insurance salesman, marry my great-grandmother, buy a house, raise a family and send his two daughters off to college. This is the quintessential story of the American Dream!  Given the opportunity, a man pulls himself up by his bootstraps, forges ahead with will and passion, and achieves success–familial, professional and financial.

Last year, TheNew York Times published a series of articles called The Invisible Child, detailing the life of Dasani, a homeless girl living in New York City.  At the conclusion of the series, Dasani and her family are transferred out of the decaying, moldy, unsafe shelter they had been living in, into their own three-bedroom apartment with a kitchen. They settle in and they are ecstatic to finally have their own place; in their minds, they are living the American Dream. Their transition to a new home is due entirely to the work of the department of social services.  I wonder if this one small act will change the course of Dasani’s life for the better (and I look forward to reading any follow-up articles!)

Concluding the semester with “Twenty-Six Acts of Kindness Day” was incredibly meaningful for me. On that first Wednesday in December, as I sat down to listen to Ms. Schroff [Laura Schroff, author of An Invisible Thread, came to speak to the students and returned to share our Acts of Kindness day with Frisch], I knew that this would be a very different kind of program than I had experienced in the past. The manner in which Ms. Schroff spoke was so genuine that I became convinced that the notion that “one small act of kindness can change a life” had some legitimacy to it.  In the week after, as we prepared for “Twenty-Six Acts of Kindness Day,” I became more and more enamored by the idea and enjoyed thinking up acts that seemed like doable and realistic goals for students.  I felt a surge of pride as I stood at the sign-up table and saw the numbers for myself: 193 people in the Frisch community participated, and we accomplished a total of 233 acts of kindness! Sure, we had sponsored chessed [acts of kindness[ days before, but juxtaposed to Ms. Schroff’s and Maurice’s talks, and with the backdrop of honoring the 26 victims of the Newton Massacre, it felt more meaningful.


Grandpa Sam, Maurice, and Dasani serve as proof that the American Dream can be realized, though so many great writers choose to acknowledge its failure.  But perhaps we would not recognize the American Dream successes without being able to contrast them to the failures.  As I wrote in my Thanksgiving piece earlier this semester, one can only understand light when it is held up against the dark.  With drive and perhaps a little bit of goodwill from others, we can all take advantage of the opportunities living in America affords.  Light can emerge from the darkness.

Additional Reflections on a Semester of PBL in American Literature

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Here are additional reflections from students in an American Literature PBL class at The Frisch School:

Student sample 1:

Doubts by Ami


Granted, I had my doubts. Over the years, I had come to regard the various posters and programs decorating Frisch’s walls with suspicion; I often questioned whether they were a testament to their creators’ good-natured toil or simply an excuse to miss class. Naturally, my experience in English this year, which I believe to have transported me out of my narrow-minded perspective in some respects, came as quite the surprise. I now feel as though the comforts of the sheltered community I call home had eclipsed the glaring difficulties faced by those nearby. I also feel that project-based learning has given me the opportunity to scrutinize the status quo in a manner that is both engaging and significant. The evolution of my perspective began with the class discussion of Rebecca Skloot’s The Immortal Life of Henrietta Lacks.


I was raised with the notion of a flawless America. America is the country that saved my father and grandmother from economic oppression and cultural persecution in the Soviet Union; it was here that they fulfilled the American Dream and thus sought to ensure that I afforded America the proper respect. As a consequence, I have always had trouble accepting the grim realities that tarnish America’s reputation. Yet when confronted with the disheartening description of inequality and poverty in the case of Henrietta Lacks and her children, I was forced to acknowledge that America may not be as flawless as I had once thought. I had obviously heard of the issues raised by Skloot before, but it was not until she poignantly recast them in a more personal, human light that I realized the gravity of societal injustice. When I researched how the Lackses were denied any compensation for their mother’s invaluable contribution to mankind and wrote an op-ed condemning the judiciary’s unfair arbitration of similar cases, I did so not in the name of justice alone, but for Deborah Lacks and John Moore. In class, we often discussed the writer’s use of pathos, which I feel Skloot uses extensively in order to portray a darker side of America.     


   In a New York Times series, entitled “Invisible Child: Dasani’s Homeless Life”, Andrea Elliot employs pathos in her vivid portrait of childhood poverty as seen through the eyes of one young girl, Dasani. Dasani lives with the other nine members of her family in an overcrowded apartment in New York City. Dasani and her siblings tolerate rodents, a decrepit home and hunger as her parents struggle with an addiction to narcotics. Reading one article in the series, I was stricken as Elliot describes the heartwrenching difficulties Dasani faces at school. Unable to afford a clean school uniform, Dasani must assume a “ghetto” persona, taunting her classmates and remaining alien in mind and body. Dasani, however, cannot only be included among the nine others forced into her ramshackle home; she also takes her place among the other 16.7 million American children living in poverty. Within the confines of my community, it is often difficult to appreciate the suffering of those less fortunate. Dasani cannot be found among the impressive, suburban homes or the privileged, middle-class families. Dasani is not only a symbol of the imperfections of American society but proof of the public’s ignorance. My work in English this year, however, has opened my eyes to a world previously unknown. I learned that women and minorities are routinely denied access to reasonable employment and that one in every ten children in the United States lives without access to basic health care. Yet it was not until I began to prepare for the Twenty-Six Acts of Kindness Day that I fully understood the intent of our class’ tireless efforts.


   In early December, I had the privilege to hear Laura Schroff, the best-selling author of An Invisible Thread, speak at Frisch. I was greatly moved by Ms. Schroff’s heartwarming tale of how she welcomed a young stranger, Maurice Mazcyk, into her life; the story bespoke the themes of The Immortal Life of Henrietta Lacks and brought them only further into my sphere. In memory of the twenty-six children who perished at Sandy Hook Elementary School in Newtown, Connecticut, Ms. Schroff and Maurice agreed to run the Twenty-Six Acts of Kindness Day on December 26, along with our class. I felt as though my participation in the program could rectify the injustice I had encountered earlier in the year; I soon embarked on an ambitious quest to convince Google to recognize the day on its homepage and encouraged my peers to share their acts of kindness with the student body. Although my former self might have doubted these programs’ relevance to English, I have nothing but regret for my myopic concerns.     


   Pathos is defined by the Merriam-Webster Dictionary as “a quality that causes people to feel sympathy and sadness”. I believe the definition to be an inadequate depiction of the pathos used by the artist. As I had read earlier this year in Tim O’Brien’s The Things They Carried, his self-professed desire is to cause me to “feel what I felt” (O’Brien 171). The task of the writer is not simply to observe the shortcomings of society and dutifully note them with indifference; it is to become one with the afflicted and to tell their story as the writer might tell his own. The definition of pathos should read “a quality that expresses the pity or sadness felt by another”. Social commentary is not the perfunctory pursuit of justice as some may assume, but an outlet for a writer’s inspired, righteous indignation. The relevance of literature is contingent upon the proper use of pathos in writing. Pathos is a time-honored tool that has lent itself to works as diverse as the biblical prophecies of the Jews’ impending doom in the Book of Jeremiah and Thomas Hardy’s personally inspired critique of marriage, Jude the Obscure. Thus, to my former self, I would argue that I have learnt more about literature than I could have imagined; I learned that the artist is inspired by his impassioned investigation of inequity rather than his spontaneous creation of a plot and characters. I can resolutely declare that it is my work in English this year that has thrust the world into a new light.

   Granted, I never thought the poster-plastered walls deserved more than a cursory glance. I once doubted pronounced inconsistencies in American society. I once doubted that America could be the greatest country in the world and retain flaws nonetheless. Now, however, I doubt that our society affords American women, minorities and children with the capacity to succeed. I doubt that Dasani and millions of other impoverished children are content leading lives far inferior to my own. I doubt that a truly principled society could deny a select group of citizens a modicum of humanity as it did in the saga of racial injustice described in The Immortal Life of Henrietta Lacks. Countless others have protested societal misconduct for ages, and I am proud to now include myself among their ranks. I began the semester with some doubts and ended it with others.

Student Sample 2:


Romanticism by Michelle

Throughout the first semester of school I learnt about Romanticism. Romanticism is an artistic movement originating in Europe in the late 18th century. This movement is characterized by a great interest in nature, emphasis on the individual's expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions. My English teacher (Mrs. Wiener) was determined to have our class fully experience and take to heart the essence of Romanticism. The process of taking Romanticism to heart consisted of three parts: experiencing Romanticism, showing one’s understanding of Romanticism, and personal growth. 

The best way to experience Romanticism is to turn to nature. One November day, Mrs. Wiener took us outside; she then proceeded to read a poem with us. This poem was “Trees” by Joyce Kilmer.  “Trees” is an important poem that exemplifies Romanticism. In his poem, Joyce Kilmer describes nature as perfect and loving. After reading this poem, my class was instructed to draw pictures of a tree and then write a reflection. 

The following is my reflection: “The poem “Trees” by Joyce Kilmer influenced my art by showing me that trees are more than just trees. This poem helped me see that an autumn tree displays on its leaves the entire life cycle. The green leaves represent children, or beings that are new to life, beings that are “green” in their understanding of the world around them. The next color is yellow. Yellow represents young adults, those who have more experience than children, but less than adults do. Red represents adults who have more knowledge than the young adults and children.  Finally, the color brown represents elders and death. Brown is the final stage, because the color brown is a mixture of green, yellow, and red. When at the brown stage of life, one can look back and see one’s self as what one really was in all the stages of his life. By reading this poem I learnt to recognize such meaningful symbolism in nature, and trees specifically.”  

I have always found a tree in autumn to be quite beautiful; the multitude of colors displayed on the trees leaves are so perfect. This magnificent sight would leave me feeling as though I had missed something. I could never figure out what I had missed, until I was told to draw a picture of a tree and analyze it. The drawing aspect of the project did not take long. Analyzing the drawing, on the other hand, took hours. I studied every aspect in my drawing and could not find any symbolism, until I remembered what Mrs. Wiener had said that day. On that November day Mrs. Wiener had handed out The Scarlet Letter, and said, “There is a lot of symbolism in this book, especially color symbolism”. Suddenly my drawing seemed to reveal to me something astonishing, I now could see the entire life cycle displayed on the tree’s leaves. Thanks to the seemingly trivial words, I was able to recognize the symbolism hidden in the color scheme of an autumn tree’s leaves. This project helped teach me that nature has a lot of hidden messages. By having a class outside, I was able to understand the appeal of Romanticism. 

After having experienced Romanticism outside, it was now time for us to show the extent of our knowledge about Romanticism. Mrs. Wiener gave us an assignment, which consisted of taking a painting by the Hudson River School of Art and comparing it to The Scarlet Letter




The following is an excerpt from my assignment: “This painting is most comparable to Reverend Mr. Dimmesdale, a man with two sides to his personality. The first is the Reverend Dimmesdale in nature, who is free of the conforming restraints of society. Then, there is the Reverend Dimmesdale who is bound to the rules of society.  This painting is a painting of nature, which in itself is free of society’s hold. However, while in nature, it is still under society’s control. For it is a member of society who drew this picture, and it is the members of society who deemed this painting worthy of being admired; thereby trapping this picture in an eternal struggle of freedom from society and being controlled by it.”  This assignment helped me evaluate the extent of my knowledge with regards to Romanticism. 

Now with a good understanding of Romanticism, my class took on a project that would help us grow as human beings. On December 26 my school paid tribute to the twenty-six victims of the Sandy Hook shooting. In order to pay respect to those victims, my class decided to help spread twenty six acts of kindness. To make this day even better Mrs. Wiener contacted Laura Schroff and Alex Tresniowski, who wrote An Invisible Thread

An Invisible Thread is a memoir about how Laura Schroff helped saved the life of Maurice Mazyck by doing just one small act of kindness. Maurice was from a broken family and was suffering from malnutrition. His mother was a drug addict, and his father had left in the early part of Maurice’s life. Every day Maurice would stand on a street and ask for money, so that he would be able to buy some food. On a day that seemed like it would be normal, in that people would ignore Maurice’s pleas for money, Laura Schroff experienced a feeling that she would later claim was fate pulling her in the right direction. She acted on this feeling and offered Maurice a meal. Laura and Maurice would later turn sharing a meal into a tradition. Maurice had come from an area known for its violence; nevertheless, Laura never feared for her life in all the time she has known Maurice. Romanticism is characterized by a person acting on his/her emotions and going against society’s norms. Laura Schroff acted on her emotions when she decided to help Maurice, and she went against the societal norms when she decided to take Maurice under her wing. Had Laura Schroff been in a novel she would have been labeled a Romantic hero. An Invisible Thread ties in with our Romanticism project in that it helped us be able to recognize Romanticism and the Romantic heroes of everyday life.  

On December 26th, Laura Schroff, Maurice, and Alex Tresniowski came to The Frisch School to participate in the 26 acts of kindness day. This day was spent promoting acts of kindness, and it also had an impact on my behavior. The following Monday the Russian Club had a pre-New Year’s party, and I had brought food. After the party I noticed that I had some leftover food and decided to treat my class to the food. The act of sharing food with your class, also, happened to be one of the twenty- six acts of kindness. Romanticism and this personal growth experience correlate, because Romanticism is characterized by acting on one’s emotions. A person is usually pulled by his/her emotions to help another person in need.  

The process of internalizing Romanticism was an especially valuable experience. Though I learnt Romanticism through an unconventional way, I feel as though I now truly understand Romanticism exceptionally well. I spent time in nature as most protagonists from Romantic novels do, thereby learning to see nature through the author’s prospective. The project on Romanticism helped me see to what extent I understand Romanticism. Finally, the 26 Acts of Kindness Day helped me internalize the message of Romanticism. 

Semester One in SIM CITY

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We're still compiling the data, reports, and projects, but here's what we have so far from Semester One at The Frisch School's SIM CITY class:


STUDENT-MADE VIDEO ABOUT FRISCH HOT TOPICS SIM CITY


Thanks to Ben and Eytan for creating this video that tells all about the SIM CITY class:





CITY SECTORS


Now that you know about the class a bit more, here are links to the sectors the students in the class decided to create. Make sure you check out the ethical dilemmas each sector contemplated. They're really thought-provoking.

BUSINESS

Evan and Gabe are our city's business leaders:


Ethical dilemma: CEO Salaries

FASHION

Abby, Avital, and Emily made sure our city's fashion is eco-friendly:


Ethical dilemma: Sweatshops and Animal Testing


POLITICS AND GOVERNANCE

Gabi, Eitan, Jason La., Re'em, and Yitzchak created SIM CITY's government: FTP, For the People:

For the People website

The whole venture of the Politics and Governance group was to explore different ethical dilemmas in society. Politics and Governance explored the pros and cons of abortion, drugs and alcohol, and gun control, which were topics the class as a whole voted on and decided they wanted this sector to explore.


SPORTS MANAGEMENT

A.J., Jono, and Rami made our city's sports center a community space:


Stay tuned for an explanation of the community center as well as for the ethical dilemma on the use of performance-enhancing drugs in sports.


TECHNOLOGY

Ben, Jacob, and Jason Le. are in charge of the tech sector:


Ethical dilemma: Iron Man suits and 3D printers


URBAN DESIGN

It was Alexa, Nate, and Zoe who spent the semester creating an analog -- and colorful -- form of our city:

Alexa, Nate, and Zoe based the shape of the city on a cell!


Here's a collection of facts the Urban Design team learned about their topic:

Knowledge:

When we originally began our project of urban design, as a group we only had a big picture of the city and did not consider the small details. We did not include important aspects that are crucial for a successful city. For example, the original layers of the city only contained the basics of where restaurants and homes would be. However, we later realized we needed shops, grocery stores and hospitals. The following list contains new facts that we learned over the semester that helped us improve the Urban Design of our city.

Transportation
1.     It is important to have various different roads and highways to make the city more accessible.
2.     Every dollar invested in public transportation generates about $4 in economic returns.
3.     Public transportation saves the U.S. about 4.2 billion gallons of gasoline annually.
4.     Bicycles can serve as social integration; lower and upper classes use them.

Eco Friendly:
5.     Solar panels are expensive and are complex to install.
6.     87% of people in cities use their local urban parks.
7.     There is a difference between “Urban design” and “Urban planning.” Urban design is immediate planning for what the area is currently, while urban planning takes into consideration change and the future.
8.     Low impact materials that we can use to build in our city are: bamboo, recycled metal, recycled stone.
9.     The aesthetics of a city are very important for creating an eco-friendly place, because people will be more motivated to walk/bike places.
10.    3D model: It was important to think through the steps of making the city city and make sure that it would be easy for a person to get from the center of the city outwards easily.
11.     There are three core concepts of urban design: Transportation, building structure, and parks.
12.     Function and fit: You need to shape places to support their varied intended uses
13.     When considering the urban design of city, it is important to remember civil society, to build places/areas where people feel equal.  Allow different people to have access to all parts of the city.
14.      We had to consider pedestrian zones: where people would able to walk/bike vs. where only cars/ buses would be.
15.     Crime prevention through environmental design is altering the physical design of a city to prevent crime.
16.     Zoning is a device of land-use planning used by local governments.
17.     An average of 4.8 million households are government-funded
18.     The average family in a government-funded housing project earns less than $20,000 a year.

A few facts from the books we are reading:

1.    Charles Montgomery: Happy City (Transforming lives through Urban Design)
-     Decentralization: The more thinly a city spreads out, the less access citizens have to one another. It changes the shape and quality of our social networks.
-     A person with a one-hour commute has to earn 40% more money to be satisfied with life as someone who walks to the office.
-     “The problem is that cars fail to deliver the experience of freedom and speed (which is capable on the open roads, not in cities) The blood of people who drive in cities is a high-test of stress hormones.
-     Bikes and good transit tend to be located in wealthier areas which create an even bigger divide between the rich and the poor.
-If people involved in Urban Design knew more about what makes people happier on a day-to-day basis, it could highly influence our behaviors.


Skills:
           
By creating a model of what our city looks like, we gained many skills. Each member of our group came up with ideas of what our city should look like, and we worked together to put all of our good ideas into our art project. By doing this, we all collaborated and put our best effort into the layout of the city. We really learned how to work together as a group and let all of our good ideas translate into a detailed art project.

Creativity:           

In our project we utilized the art room to the best of our ability. We used many tools in the art room to be creative and create things we didn’t plan on doing. Things appeared in front of us that allowed us to be creative and create our project. Clay also allowed us to be creative. Our buildings, houses, roads, and parks are all made out of clay, and we used the different colors to represent different aspects of our city. Our creativity with all kinds of tools around the art room really helped us create the model of our city without many problems.

Failure:


Originally, we were asked to create a website to describe urban design, including our ideas and ethical dilemmas. As we brainstormed about ideas to include on the website, we hit a plateau. We realized that the best manner in which to portray our urban design would be to construct our city into a physical and three-dimensional model. We used clay as the primary material for our city model, yet we were faced with some challenges. As our project launched, we decided to use organic clay because organic products benefit the environment. However, upon entering the art room the day after we began using the organic clay, we were stunned to discover that it had morphed into a misshaped, unidentifiable pile. Next, we had to use non-organic clay. But when we placed the clay on the board, it wouldn’t adhere to it, so we had to use a hot glue gun. Our group motto is “fail fast to learn fast.” Each time we tried a new method, it seemed to fail. We didn’t give up, however, or lose our determination.


WASTE MANAGEMENT

Bryan, Elan, Eytan, and Shira thought of creative ways to recycle and repurpose as they took charge of our SIM CITY's waste management:

Waste Management


A wallet made from the inner parts of a computer keyboard





Why Schools Should Teach Financial Literacy

RealSchool Elective: A Miniseries about Student Life

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Sammy and David share an update on what they've decided to do in the RealSchool elective this semester:

For our project, we decided to delve into the life of the Modern Orthodox yeshiva kid. In doing so, we created a mini-series. We began by outlining the first five episodes and now have also written the script of our first episode. Our main character struggles with balancing his religious life with his secular one and his academic life with his social life.  This leads to many humorous scenes. However, there is a deeper aspect to the series. A lesson will be drawn from the experiences of our character in every episode. Our goal is to express the challenges that students in Modern Orthodox yeshivas experience but also to draw on possible solutions. We hope to begin filming soon!

Now Sammy and David are busy project tuning with RealSchool class members. They're having a writers session in order to sharpen the plot and jokes:



Connecting Head, Hand, and Heart: The Frisch Africa Encounter

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Multi-talented sophomore Oren M. created this logo for the program
The Frisch School has recently finished running a multi-disciplinary program for the sophomores called The Frisch Africa Encounter (click here for photographs sophomore Amanda Leifer took of the night). The program, now in its third year, springs from the school's English and History classes, and its aim is to deepen student knowledge about the African continent and the problems there as well as to learn about the ways life on the continent is improving. To accomplish the latter, students study the work of and raise money for Innovation: Africa (IA), an organization that uses sustainable Israeli technologies to improve life in Africa. Learning about IA is particularly relevant for the students of Frisch, as they discover not only their obligation as Jews to better the world, but also to see how Israel is working to advance the world in ways that are impressive and laudable.

Connecting Israel and Africa is not without precedent. Here is Golda Meir on the comparison between the country and the continent:


"Like them, we had shaken off foreign rule; like them, we had to learn for ourselves how to reclaim the land, how to increase the yields of our crops, how to irrigate, how to raise poultry, how to live together, and how to defend ourselves"

This year, the English and History teachers at Frisch worked during the first semester to tighten the program, with Eitan Kastner, a Frisch alumnus who now teaches American history, suggesting that the kids give the parents a tour of what they had learned over the month. Thus, a new format for The Frisch Africa Encounter was introduced!

Because Frisch is focused on utilizing project-based learning (PBL), the teachers also wanted to incorporate student voice and choice into the project design. Though the teachers had their learning goals of wanting students to know about imperialism, the slave trade, the novel Little Bee by Chris Cleave, and the various technologies that IA employs, including drip irrigation and solar-powered energy sources, the teachers aimed to find ways to engage all types of learners in all types of ways, by allowing students to select the group they wanted to be part of for the evening. The teachers came up with the following stations and jobs that would be part of the "tour" the students would offer parents at the culminating event:

Africa at Night
Art
Cell Phone Charging
Drip Irrigation
Film
Gerry Can 
Imperialism 
Slave Trade
Tour Guide

All the stations together would tell the story of past exploitation and modern-day cooperation, but Africa at Night and the Cell Phone Charging stations were closely linked, with one showing how hard it is to do things such as travel for medical care or study without electricity at night. The Gerry Can and Drip Irrigation stations were also tightly linked: the former would be an interactive station allowing parents to carry first an empty gerry can and then a full one, in order to experience what it feels like to have to walk for miles for water, as many rural Africans have to do. The Drip Irrigation station would be a demonstration of the Israeli technology now used in many African villages, where water is scarce and where IA has taught the villagers to make the best use of the water pumps the organization has installed. 

Here's the Google form the students filled out when the program was introduced:

Sign-up for The Frisch Africa Encounter

At the entry event, students watched this video from The Onion, which hilariously satirizes the exploitation of Africa by the West:



Soon after the entry event, Frisch welcomed Emma Goldman of Innovation: Africa, who spoke to the students about her work:

Emma Goldman addressing the Frisch students
Emma had a chance to have a follow-up discussion
with the juniors and seniors who had run
The Frisch Africa Encounter last year and the year before
As luck would have it, Emma had recently returned from a trip to Africa. She therefore not only presented informatively about IA; she was also able to sprinkle her session with photos and stories about her own experiences on the continent. Here's Emma in Katira Village in Uganda:


During her presentation, Emma talked about how excited the village children get when people from IA visit. The villagers feel so thankful for the many technologies the organization provides: children get educated better -- graduation rates in primary schools have tripled in villages after solar installation -- ; people get vaccines and medical care they need; and the villages can grow more nutritious food and increase their economic viability.

These two young Ugandan boys found Israeli flags with which to greet
Emma and her colleagues. Last year Innovation: Africa received a
Social Media Leadership Award for Nation Branding because it had
so improved Israel's image in the world. IA beat out the White House
for the prize, which was from the Wharton School of Business!
And these boys want to show off their new water pump!
They're very proud and excited about it!
Over the course of the month of February -- and over the obstacles the seemingly endless snow days created -- the students prepared for the culminating event, which actually had to be postponed to March 12 because of the many school days lost to the weather. Actually, as part of the program, each sophomore class had to raise $500 for Innovation: Africa. Frisch's goal is to light up a school in one of the villages IA works with, and so two enterprising sophomores -- Jonah and Sam -- shoveled snow to earn money, raising $200 in one day!

Three other sophomores, Oren, Ayal, and Daniel, were put in charge of video production for the event. You can see two of them here, working on the video:


They created this trailer which the school sent out to the Frisch community:




Getting ready for the night was no small task, with teachers and even classes from other grades serving as project tuners. It was important to Frisch to get the students to produce high-quality work that demonstrated deep learning of subject matter. Ron Berger, an expert on project-based learning, shows in this video how he has students act as critical friends in the deep learning process.

The students got help from everyone in the school,
including Jose Carino, Head of Maintenance,
who visited a class to unrivet a hard drive the students
wanted to repurpose into artwork
Rabbi Daniel Rosen, a Frisch English teacher
and one of the school's pioneers in PBL, merged
his class with another English class for much
of the month, allowing students in the same groups
to work easily together
 Assembling the drip irrigation sets
The Frisch art teacher, Mrs. Ahuva Mantell, worked with the sophomores,
explaining to them about African textiles and then having them
tie dye scarves to sell at the student store the night
of The Frisch Africa Encounter
Working on the Gerry Can station!
All the sophomores read Little Bee, a book about a Nigerian refugee;
the book was a springboard for discussion in Hebrew class
about the integration of Ethiopian Jews into Israeli society
and about the current debate going on in Israel about how to
handle Sudanese refugees
This sophomore was a tour guide. Tour guides prepared
a route they would take parents on and therefore had to know
about the role of each station. 
Josh Gotlieb, a Frisch History and English teacher, was in charge
of the Imperialism group, who didn't need much help, actually.
They did a fantastic job with their research and could debate with
complexity and depth the pros and cons of their topic
Rabbi Rosen and Tikvah Wiener ran practice sessions with each group
And finally the big night arrived!

Three of the tour guides, wearing T-shirts Innovation: Africa gave us
for them as well as to sell in the fundraising store. Sophomores raised over
$400 that night, bringing the total the sophomores made
over the course of the month to over $2,300!
The Gerry Can station ready to go! Not many parents
ended up wanting to carry the cans, but the kids
who came gave them a shot!
Mrs. Betty Kaplan (left) ran the fundraising store with her class,
while Mrs. Ruth Wang-Birnbaum was one of the English
teachers who taught Little Bee
Meir tells parents all about cell phone charging stations
and the role they play in creating economic sustainability
in Africa
Makey Makey makes making music fun! At the last minute, Meir also put together this station which allowed everyone to play African bongos with fruit:




The group researching the slave trade in the nineteenth century
also talked about slavery today
A tour guide tries out the Gerry Can station
Zach really mastered the art of drip irrigation
Why Frisch does this program

English teacher Meryl Feldblum worked hard with
her class on the Little Bee presentation

At the entry event, the Frisch teachers talk about the fact that as Jews we must feel responsible for the other, the foreigner, the stranger. After all, the Torah repeats 36 times, more than any other phrase, the following:

וַאֲהַבְתֶּם, אֶת-הַגֵּר:  כִּי-גֵרִים הֱיִיתֶם, בְּאֶרֶץ מִצְרָיִם

"You shall love the stranger, because you were strangers in the land of Egypt." 

One of the tour guides, at the end of the night, had this to say: "Doing this made me really feel like I have an obligation, as a person and as a Jew, to help Africa." 

These words really capture what project-based learning, with its focus on creating meaning in the real world, can bring to a Jewish educational setting. The goal of Jewish education is to create a Jew who loves his/her religion and who uses it to enhance the world. Combining that goal with the PBL methodology connects head -- the knowledge students acquire -- ; hand -- what students create to internalize and bring to life that knowledge -- ; and heart -- how students feel about themselves and the positive role they and their faith can play in the world. How fitting, then, that the head, hand, and heart are strung together each day by tefillin, which remind us all that what we learn, what we do, and how we feel shape our world on a constant basis. 

Student-Made Resources

For those parents who asked for resources from the night, Frisch is happy to provide some of them below. They can't fully capture the complexity of what the students learned and know, but they give a glimpse of what the students created:

Imperialism






Little Bee

Here are one student's thoughts on the power of words in Little Bee:



Student artwork on Little Bee: Repurposing computers was popular as the novel is about language and communication. Using modern-day devices of communication to bring the novel to life seemed appropriate!


Here's an explanation of Sahar, Andrew, and Racheli's artwork:





Miriam made this keyboard, which "tells" the story of Little Bee


Future political cartoonist?: Kailee combines the story of Little Bee with some
astute artistic representations of the West's and African leaders'
exploitation of the African people, as well as of the hardship of living
at night without electricity

Slavery Today


A student-made fact sheet about slavery today



Sample Tour Guide Script



A special shout-out to Justin Safier ('15) for providing tech support for the evening. Thanks, Justin! 

The Frisch Fashion Show and Dance Performance 2014

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Jamie Lebovics ('14) once again designed the logo.
This year we focused on biomes, so Jamie represented the ocean
 in the figure's hair, the desert in the skin color,
and the rainforest and chaparral biomes in the
flower dress, which was also an homage to designer
Alexander McQueen's dress made of real flowers.
The third annual Frisch Fashion Show and Dance Performance was one week ago, on March 23, 2014, at The Frisch School. A night for women only, the production grew this year to include not only fashion and dance but also a banner presentation and two song performances, one live and one pre-recorded at a studio (Thanks, Steve Bill!).

Here are sophomore Amanda Leifer's awesome photos from the night!




Biomes


Plans for this year's show actually began at the end of the last school year when the amazing Ahuva Mantell, Frisch's art teacher, applied for and received a grant from Bergen County to create a school event that educated about the environment. We therefore decided our annual fashion show would highlight different biomes -- specific ecological communities -- in the world. Mrs. Mantell also suggested building terrariums that represented our biomes, an idea that proved fun and educational. 



Early in the year, the designers for each grade as well as RealSchool's Health and Environment team gathered and began researching various biomes. We decided that the freshmen would represent the aquatic biome; the sophomores, the rainforest; the juniors, the desert -- because junior year seems like a trek through the Sahara; and the seniors, the different biomes in Israel, including its most famous one, the chaparral, which includes shrubs, grassland, and forest. 

RealSchool linked up its Fashion team with Health and Environment
right away this year, since the two teams would be working
on the same event

Terrariums


Once the designers had settled on various outfit ideas, we then selected the models and began purchasing items for the terrariums.

Frisch girls interested in being models submit their names;
we choose the models by lottery

Senior Yakira makes a terrarium based on Israel's biome;
we sold the terrariums to raise money for Innovation: Africa,
an organization that worked well with our fashion show theme,
since IA uses green technologies to make Africa grow!

The terrariums were a nice buzzbuilder for the event!
And here they are, ready to be sold. The one on the right is a mix of herbs
available in Israel

The Banner


A really beautiful addition to the fashion show this year was a banner representing four women who inspire us to care for the world. Two of the women were from the ancient Biblical world, Chava, Eve, who is called the mother of all living creatures in the Torah, and Miriam, Moses' sister, who is often seen near water and is associated with the well that provided the Israelites with water in the wilderness. The additional two women on the banner are contemporary ones, who act as role models in showing us how we can improve the world and better the environment. One is Evonne Marzouk, founder and executive director of Canfei Nesharim, an organization that connects Torah texts with contemporary scientific breakthroughs about the environment. The other is Sivan Ya'ari, founder and executive director of Innovation: Africa. With a master's in energy management and an organization that helps Israel's image in the world while improving life in African villages, Sivan shows just how influential a woman can be in shaping a more sustainable world.

Working on the banner: Eve comes to life
Was there a part of the fashion show Julia WASN'T involved in?
Here she is bringing Miram to life on the banner
We put solar panels on the woman representing
Sivan Ya'ari, since Innovation: Africa brings that technology
to the continent

And here's the finished product, with the last photo taken the night of the event (Thanks to Home Depot on Route 17N in Paramus for donating our green runway!):

Eve and Miriam
Evonne Marzouk and Sivan Ya'ari: That's a light bulb in
Sivan's hand, another item IA brings to Africa!
The banner and runway!


The Outfits


Of course, putting together the outfits is one of the most exciting parts of the fashion show. Marcia's Attic of Englewood generously lent us four outfits -- thanks to Frisch senior Avital Abramov for making that happen! -- and we got additional clothes from H and M, which has a sustainability and conscious mission in the company's philanthropic arm. Vowing to provide education and clean water to those who need it and to strengthen women, the company is modeling not only funky clothes but good citizenship. The clothing for the rest of our outfits was from our own closet, and one dress was student-made.

Here are the grade designers preparing the outfits for the show:

Jodi and Sammi bringing to life oceans, seas, rivers, lakes,
coral reefs, and estuaries, in clothing!
Sophomore designers Lila and Liana imagined rainforest flowers and animals;
look at the flower below and the outfit above. That's a pretty good match, no?

Junior Ayelet worked with the sophomore designers
to plan a dress based on the rainforest; Ayelet then sewed the dress
and sophomore Racheli modeled it. This was the first year a student
sewed a dress for the show!
The juniors reproduced a desert sunset for two of their looks
as well as for one of the mannequins we decorated the room with
for the night!
Senior designers Julia, Sabrina, and Melissa brought to life
the ocean, rivers, desert, and chaparral regions of Israel!

Not only did Ayelet sew a dress for the show, multi-talented Jamie sewed a shirt we used on one of the mannequins:

Thanks, Jamie, for all the creative work you've done at
Frisch over the past four years!

The Fashion Show Night!


Glam Salon doesn't let us down! The generous and wonderful hairdressers and makeup artists of Glam Salon, for the third year in a row, donated their time and tools to transform our models into walking beauties of nature. Not that the girls aren't gorgeous to begin with, but let's show you what we mean . . . 

A rainforest "bird" . . . 
. . . with a "tree monkey"
The sophomores' brilliant colors suggest the tropical nature of their biome

Don't tell us this bun and massive afro don't remind you of some of the brush in Israel!



Sheri represented the brush and shrubs of the chaparral region in Israel,
while Abigail was walking as Israel's beautiful seas and lakes. Banias, anyone?


The Dance Performance


This is the second year that the talented Frisch Dance Team also performed at the show, giving us four dances that represented a different biome: water, rainforest, desert, and Israel.

A wave in the first dance, representing water. The dance team
was extremely clever in how they incorporated the biomes
into their performances!

Faculty Daughters Model


Of course, one of the highlights of the show is the faculty daughters who walk. This year the girls, who ranged from ages 4 to 12, represented all the different biomes and reminded us of the Native American proverb:

"We do not inherit the earth from our Ancestors; we borrow it from our Children."




Song Performances


In addition to the banner, we also incorporated song into our show, twice. Once was a pre-recorded version of "We Are the World," the song that was the slogan of our show. The sophomores had recorded the song two weeks earlier in a recording studio. We played the song with the following slide show about manmade disasters:



The other musical performance was by seniors Esther Meir and Tamar Palgon. Esther played the violin, while Tamar played the guitar and sang a song she'd written herself. We're thrilled by the addition of music to our fashion show; with the banner and songs, the night was a true celebration of the arts.

The Fashion Show Narrative


What ties all the disparate parts of the evening together and frames them in a religiously and spiritually meaningful way is the Fashion Show Narrative, which the women in RealSchool's Religious Identity team create and present. Marni Loffman this year played an integral role in writing the narrative, and here you can see the students who sharpened their oral presentation skills by emceeing the night:

This year, as you can see, we also added a slide show
to accompany the narrative. Both the narrative and slide show
are available below. 




Fun Stuff


Thanks to Kim, Frisch's chef, for coming up with these
"high-heeled" cupcakes. How cute are they? 
We can always count on Larisa in the Academic Office
to produce beautiful programs
Maddie was a junior designer, model and member of the fashion production team;
she chose to work on the fashion show as her project in the RealSchool elective this semester.
Marni, who dons the fashion show t-shirt, wrote the script for the night and was one
of the event's MCs. Here they're selling terrariums prior to the show!
Juniors -- Elisheva, an MC, and Tamar and Debra, two models -- relax before the show!
Thanks to Mrs. Mantell for her creativity in coming up
with this selfie station, a fun addition to the night;
we also thought it went well with the idea of natural beauty!
Rabbi Pittinsky and junior Justin Safier, who was tech
support for the entire show, equip the selfie station with
a wireless printer
Sophomores Chloe and Tali man the selfie station for
fashion show participants!
What a great night, and thanks so much to everyone who made it happen. Till next year, though we're already starting to brainstorm about what the theme might be . . . . Feel free to leave suggestions in the comments section!

Reflections on PBL from Sophomore English

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This past year at The Frisch School, Dan Rosen, Meryl Feldblum, and I [Tikvah Wiener] "PBL"-ed our sophomore English class. Here is our curriculum, which centered around the questions of how do we identify stock characters and stock devices, and how does literature give voice to the voiceless?

After the latest multi-disciplinary project, The Frisch Africa Encounter, which happened on March 12, I asked my students to reflect on the year so far. Here are two exemplary reflections. We think it's amazing that Ben, the student who wrote the second reflection, was "electrified" by the opportunity to write and think about what interested him. 

Reflection One


Zach A.

English class has been an incredible experience this year.  Rather than the usual style of learning where the teacher simply teaches the class for forty minutes, this year has been completely different.  Through project-based learning, not only have I enjoyed class more, but I also believe that I have retained the information learned even better than I would have using the previous method of instruction.  Learning about stock characters and stock plot devices, Little Bee, and the African continent have truly impacted my perspective on literature, and my worldview as a whole.  Those three topics, although originally foreign to me, are the ones that I enjoyed learning about the most, and are the ones that I hope will continue to influence my personality even after the school year has ended.

In the beginning of the year, we learned about stock characters and stock plot devices.  A stock character is a classic/stereotypical character whose personality conforms to society’s perspective of the character.  Some examples are “the jock” or “the evil scientist.”  Stock plot devices, similar to stock characters, are situations/scenarios that are often portrayed in works of literature, such as “aliens take over the world” or “the relationship that went too fast.”  Before learning about these literary devices, I had never really recognized them.  I was aware of “classic” characters/situations, but that was all that they were to me: classic characters/situations.  Learning about how authors utilize these literary devices opened up my eyes to an entirely new way of understanding works of literature.  Rather than simply viewing characters/plot lines in a literal fashion, I am now able to analyze those elements and apply them to real-life situations.  I now understand that when an author uses one of these literary devices, the goal is just that.  An author wants the reader to be able to recognize these stock characters and stock plot devices in order to get the reader to apply them to his own life.  Furthermore, learning about these literary devices has had a profound impact on my own life.  When I recognize a stock character or stock plot device, it compels me to take a step back and recognize whether or not I am similar to that character/whether I have had a similar experience, and if that is good thing.  For example, in The Prioress’ Tale in The Canterbury Tales, the stock character of “the evil Jew” appears.  The Prioress says, “The serpent Satan, our primal enemy, who has his wasp’s nest in Jewish hearts” (p. 135).  She attributes the evil Satan to the hearts of the Jews, perfectly portraying the stock character of “the evil Jew.”  When I read this, I immediately compared myself to the Jew in the story, and came to the conclusion that I could not be any more different than that stock character.  Ultimately, I am a unique person and therefore reflecting on how I am both similar and different to stock characters is crucial in the development of my personality for the better.

One of the novels we read this year was Little BeeLittle Bee by Chris Cleave is a novel about a Nigerian refugee named Little Bee who seeks refuge in England, where she is taken in by a woman named Sarah O’Rourke.  The novel sheds light on a multitude of issues such as exploitation, refugees, morality, and societal flaws, but the issue that resonated with me the most was the need to give voice to the voiceless.  The novel contained many examples of refugees who are voiceless.  Little Bee, the main character, personifies this characteristic.  Little Bee has a burning desire to fit into western society.  She learns “the Queen’s English,” befriends Sarah, looks after Charlie (Sarah’s son), and helps Sarah any way she can, all in an effort to live like a normal girl in England.  Nevertheless, she is still voiceless when confronted with society (represented in the novel by the English government) and is sent straight back to Nigeria without the slightest notion of what the right thing to do might actually be.  I believe Cleave wanted to make a point that Western society should be more kind to refugees and really take the time to listen to their stories so they can be given a voice.  It is important not to be so self-centered and believe that you and your country are “the best” while everyone else is not as important.  Personally, I gained a sense of humility after reading Little Bee.  It is a little embarrassing to think that this is how refugees are treated in our society, and I definitely learned the importance of putting others before myself and thinking more about other people’s concerns.

One of the most exciting parts of this year’s curriculum was The Frisch Africa Encounter.  For about a month I, along with several other students, researched how the organization Innovation: Africa is improving life in Africa through the introduction of drip irrigation to African countries.  Africa has an extremely dry climate, and as a result, it is crucial that not a single drop of water is wasted.  Unfortunately, in an effort to grow crops, much of this valuable water is wasted due to evaporation and other factors.  However, drip irrigation is the technology that is changing the course of agriculture around the world.  Netafim, an Israeli company, developed the technique of drip irrigation.  Water from a water source is dispensed into a system of tubing with the help of a pressure control valve.  The water is then threaded through the tubes where it is slowly and constantly dripped directly to the roots of a plant.  This allows every drop of water to be utilized and also allows the plant to absorb the water more efficiently.  With drip irrigation, up to 70% of the water used to grow large scale crops can be saved, and plants can even be grown more efficiently.  An incredible success in Israel, drip irrigation is now being introduced to countries in Africa with the help of Innovation: Africa, so that they too can benefit from the revolutionary technology that is changing the face of agriculture.  My group and I presented our research at Africa Night.  Personally, it felt amazing to show off to parents the knowledge I gained through The Frisch Africa Encounter, and explain how important the work Innovation: Africa is accomplishing.  Aside from the fact that The Frisch Africa Encounter was a wonderful experience, it also showed me how lucky I am.  While researching all about Africa and the situation there, I realized how lucky I am to be living comfortably in America.  There are so many things I take for granted due to the fact that I live in America, and The Frisch Africa Encounter helped me realize that I should appreciate everything I’ve been blessed with.


Every English class that I have ever taken has followed the conventional teaching style of having students take notes while a teacher teaches for the entire period.  I have never experienced an English class quite like this year’s.  The way project-based learning allows me not only to learn the material, but enjoy learning it in a relaxed environment as well, has made my experience one that I will remember.  I can now apply the skills I learned in recognizing stock characters/stock plot devices, the messages I learned from Little Bee, and the values I gained from The Frisch Africa Encounter to any other work of literature I will read in the future.  Additionally, learning about stock characters, stock plot devices, Little Bee, and Africa truly enabled me to examine my personality, enhance my worldview, and hopefully have a lasting impact on the way I view and treat others who are not from my society.

Reflection Two


Ben L. 

I don't mean to sound sappy or clichéd, but I feel that English class this year was a new experience for me. I had fewer lectures, fewer tests, and less rigid structure than I ever had before. Yet, I felt like there was more to learn, more to think about, more to explore than ever before. It was the freedom I was given, the ability to choose my own conclusions, to customize and personalize my projects, that made literature seem like such an open and exciting place.

This phenomenon is relatively new in my experience. In middle school, I could never conform to my teachers' expectations. I remember reading "Flowers for Algernon" in 8th grade. We were asked to write an essay on the nature of intelligence in the story, but I decided to focus on the more philosophical aspects of intelligence in general and compare the author's vision with those of other philosophers'. I invested a lot of hard work in that paper, but I was given an F for A) discussing what the teacher called "off topic" and "tangential" ideas, and B) not giving a proper header as instructed. All of my thoughts, musings, and explorations of the theme of intelligence were disregarded, because I did not think or muse about what the teacher wanted me to, as well as the absence of proper formatting. Yet, through 9th grade I retained my interest in literature, reading an occasional short story or play, but I never attempted to organize or solidify my thoughts on it. I was reading "Ward No.6” and Other Short Stories" by Anton Chekov when we were given an assignment to write on Wilde's "Dorian Gray". I asked if I could compare the two for my essay, as the two writers were radically different in their approach and style. In my old school, everything up to my conclusion would have been chosen for me at this point. Yet, now I was being given free range, not to mention positive support, for my choice of topic. A week before the due date, I shirked my usual video-game routine to eagerly contemplate the nature of the two: while they lived and died within a margin of a few years, I realized that they both had radically different styles: Chekov wrote his love scenes in a cold, stark, neutral, and dispassionate way, while Wilde hosed the reader down with metaphors, poetry, witticisms, descriptions, and nauseously vibrant emotions. While I had a dim sense of this before the project, writing it down and sketching an outline solidified, improved, clarified, and recorded my understanding of both. But more importantly, it felt electrifying to be rewarded for my own, independent interests, and to incorporate them into my schoolwork.

Maybe it's that freedom that has raised my English grade this year and caused a surge in my interests in literature. I believe that there are a number of benefits to this style of teaching. First off, the notion that our opinions and conclusions matter have greatly increased pride in our work, and thus our desire to do it has increased. I feel I have many times argued or disagreed with the material placed before me, and was commended for for thinking outside the box instead of being rebuked. Furthermore, an emphasis on technology and art provided a more accessible, hands-on means of understanding the subject at hand. Lastly, the freedom and mutability of the projects enabled us to rely on our imagination, to learn from what interests us, and to be rewarded for our own delves into literature. The Merchant of Venice assignment utilized all of these traits, making it a prime example of how the class works. Students were expected to play a scene and create a website page based on their studies of the play. My group decided to switch roles, with my female friend playing the Moroccan prince while I donned the role of the fair Portia. Reading from my iPad, our little act caused a small riot of laughter, but our teacher realized the spotlight our performance had placed on character stereotypes and roles, pointing out to the whole class that our gender switch highlighted Shakespeare's use of stereotypes, especially the boy/ girl mechanic seen in the scene. By doing the unexpected, we proved a point about the play and received praise from our peers. For the second part of the unit, we were tasked with creating a webpage describing a theme in the play, a format we were familiar with. I used a video about a similar phenomenon in Romeo and Juliet to show that our subject, responsibility versus love, was pan-Shakespeare.

Yet, even with the seeming open-endedness, our class stuck to a singular theme. Through gothic literature to Shakespeare to The Canterbury Tales to African immigrants, we studied how people were represented in literature. How others see them, how they see themselves, roles we fit into, misconceptions we break -- through all of our roaming, we have focused on these themes. We analyzed common gothic tropes, we studied mockeries and satires of stereotypes in old English, attempting to distinguish between sarcasm and reflection, we found anti-Semitic stereotypes and humanity all bundled up into the incredibly complex character that is Shylock, and we read a Nigerian immigrant's struggle with her own identity/nationality. But more than just another arbitrary subject for school, I find this subject invaluable for us as adults. As high school students, the world we are about to enter is ripe with stereotype and crises of identity. We will encounter views and conceptions of other people -- and it is crucial that we be able to distinguish truth of character from stereotypes and misconceptions ingrained into the minds of our peers. At the same time, we must be able to accept our own identity and see through the stereotypes others impose on us; not much has changed since the era of Shylock. We must learn to accept ourselves, both as Jews and individuals, like Little Bee, not Julian. It is not enough to know math and science -- we must be able to see through the tropes and stereotypes of life -- to create our own character!

I repeat: I don't mean to sound sappy or clichéd. But I feel as though I have learned a lot about literature. Not the names of famous authors or the meaning of poetry. I have learned to recognize others and accept myself, to be proud of my own beliefs and opinions, and to not be afraid to venture into literature. I have learned, in a sense, to make my own path.

Learning by Doing in Higher Ed

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"10 Courses With a Twist" was a must-read in this week's New York Times Education Life. 

Here are some highlights:

Beyond Academic Research


For one, the article mentioned the new emphasis on engaging students in more non-traditional ways:

What’s exciting now is that even universities that prize academic research are putting more emphasis on teaching, says Matthew Kaplan, interim director for the Center for Research on Learning and Teaching at the University of Michigan. “There is pressure to have students engaged in their learning beyond ‘Come to the lecture, do the reading.’ ” He recalls that Michigan’s provost spent 55 minutes of a recent hourlong faculty meeting talking about teaching.

In inventive teaching, students are not just sponges soaking up content. They apply lessons to life, says C. Edward Watson, director of the Center for Teaching and Learning at the University of Georgia. He adds that “faculty are trying to be more engaging in the classroom” because, for one, “competition is greater than it used to be.”

The proliferation of online content means in-person courses must offer more than just another lecture “video.” 


Then the article got into the ten courses it found inventive and exciting. Courses such as . . . 


Introduction to Computer Science at Harvard


Dr. Malan says that he (and a staff of 102) “are really setting out to create not a course for students, but a college experience.” CS50 is popular as a massive open online course through edX, but the real action is on campus. An all-night hackathon is fueled by pizza at 9 p.m., Chinese food at 1 a.m. and pancakes at 5 a.m. Office hours, held in various dining halls, can attract 200. A fair to show off final projects, with cake and balloons, draws 2,200, including parents and busloads of curious high school students. There’s even an online store where you can buy CS50 apparel at cost to show off your course allegiance.

Love the hackathon and fair, which makes the work visible. Plus, the class seems really joyful and fun to take.


Introduction to Cultural Anthropology at Kansas State University


Check out the way this professor gamed the course:

How did the world end up the way it is today? It’s a big question, but Dr. [Michael] Wesch makes it tangible as students plan and play in a world simulation. The 200-level class is broken into groups of indigenous peoples and colonizers. They get bins of limited supplies and must trade for other items to make weapons, following rules they devise in advance. Colonizers typically get blowgun-like tools to launch marshmallow-tipped straws while indigenous peoples may only use rubber bands. 

We love the way "playing the game" created empathy within this student for a colonized person:

Jordan Thomas, who took the course in 2012 and is now a teaching assistant, felt the impact of being colonized and made to string marshmallows on rubber bands. When you get “taken over and are forced to sit around and assemble and manufacture a necklace for the entire hour, you engage in the emotions that come with that,” he says, adding that this was something he never would have gotten from a book.

We also love the impetus for gaming the course: the professor's frustration with students' being fixated on grades:

Dr. Wesch started the simulations in 2004 after growing frustrated that most student questions were about grades and how much something was worth on a test. “Those are terrible questions,” he says. [We completely agree!] “I realized I needed to change everything.” Yes, there is a final exam, but it’s only one question: Why are you here? (He’s expecting you to tell the 12,000-year history of mankind and what you plan to do for the planet.)

And talk about real-life application:

In the first session, Dr. Wesch points out that if the whole world were the 200 people in the room, 38 would be from China, 35 from India and 9 from the United States. “Three of you would be dying, and six would be pregnant. The child born in the U.S. will have 10 times the chance of surviving until his fifth birthday.” There’s enough food for 2,500 calories a day per person, he said, but 30 suffer from hunger. There’s no easy explanation for this: That’s the lesson of the course.

Philanthropy Courses


These courses remind us of the teen philanthropy program, Project SCOPE, that RealSchool has been working on this year. Actually having to decide what to do with money and work out what a good cause is is an invaluable lesson. In the following courses, students were given money to donate; the RealSchool students are raising our own funds on Jewcer, a crowdsourcing platform. We found that experience deeply helpful as well.


PHILANTHROPY: CAN WE MAKE THIS A BETTER WORLD THROUGH GENEROSITY?, Princeton

PHILANTHROPY: PRIVATE INITIATIVES FOR THE PUBLIC GOOD, University of Virginia

Having real money, and a deadline for giving it away, lets students feel both the power and the challenge of charitable donations. Since 2011, the Once Upon a Time Foundation has provided some $2.5 million for hands-on learning at 13 campuses, including the University of Virginia and Princeton. Fueling the trend, Warren Buffett’s sister Doris began an online course last year through her Sunshine Lady Foundation in which participants give away $100,000.

Caroline Trezza, a junior at Virginia who advocated funding City Schoolyard Garden, says she learned to evaluate programs and ask, “Are they addressing the problem, or addressing something tangential?” Philanthropy is harder than you’d expect. To help alleviate strife in rural Africa, Princeton students struggled with provocative questions. “You can save a lot of lives administering vaccines,” one student noted. Another countered, “But what if the people starve to death?”


Can You Weather This Class?


Upper-level students get to chase down tornadoes with one professor, Dr. Perry Samson -- the other professor of this Extreme Weather class in the University of Michigan is Dr. Stephen W. Bougher -- while the rest of the students log into a class platform where they must answer questions such as "Where on this weather map would you expect wind speeds to be highest?" Students are also encouraged to ask dumb questions -- anonymously, if they want -- and all tests are "open book, open computer, call a friend." As Professor Samson puts it:

In life, says Dr. Samson, rarely will you be asked a question about science that you can’t look up.

What a welcome change from the standardized testing approach to finding out what students know.



World Regions


In this Virginia Tech course taught by John Boyer, students find out how geography relates to . . . well, everything. And when Professor Boyer showed a map of Egypt in order to discuss the Arab Spring and students wanted to know why more wasn't going on in Jordan, Dr. Boyer said . . . 

“Maybe we should ask someone from Jordan.” Less than six hours after a YouTube appeal to King Abdullah II of Jordan, the king’s office responded.

Just in case you don't believe it's true, here's the video in which Dr. Boyer humbly beseeches King Adbullah for a visit to his classroom:




The Amazing Carol Dweck of Stanford


We've read about Dr. Dweck's work and have seen it featured in Becoming Adult: How Teenagers Prepare for the World of Work. We've also blogged about Dr. Dweck before, so we were excited to see her course featured in the Times article. We encourage all students -- and adults -- to embrace the growth mind-set students learn about in Dr. Dweck's class:




Learning by Doing and Do Change the World


We love that the Times highlighted courses that are hands-on, encourage creativity and divergent thinking, and are focused on creating empathetic, global citizens with the ability to embrace change and failure and the passion and desire to change the world! We also love that these courses seem really fun to take. We want all learning to be this engaging, joyful, and relevant. 

Liat Greenwood's Take on a Passover Poem

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The Haggadah poem, va-yehi ba-hatzi ha-lailah, "And it was in the middle of the night," is explained here as an echo of a biblical verse in Exodus and of a midrash, Rabbinic interpretation. Through the use of repetition and an alphabetical acrostic structure, the poet moves us to consider additional midnight redemptions Jews experienced through the ages.


The class went outside to enjoy the spring air, and since
Passover is chag ha-aviv, the holiday of spring, to
contemplate slavery and freedom in African-American
spirituals and Maya Angelou's "Still I Rise."
Then the class drew images and/or wrote poems
about enslavement and liberation.

In class, Liat Greenwood was asked to link Passover to the literature and ideas she had studied over the course of the year or to a personal story she knew of slavery and redemption. Here is the poem that came out of the assignment, which she accompanies with a photograph she took. The poem is an impressive take on the Seder one and reminds us as well of Muriel Rukeyser's poem about Passover:

 Liat Greenwood Passover 2014

The Power of Questions

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Generate questions!

Project-based learning (PBL) and inquiry-based learning (IBL) begin with a driving question, one that hopefully excites students and gets them started on their path to learning. The driving question is the first part of the PBL/IBL process to create important needs: a need to gather information that will answer the question and a need to develop skills necessary to produce a beautiful product that both exhibits that knowledge and has impact in the world.



Passover, which Jews are in the midst of celebrating now, is a holiday in which we highlight questions. The Seder gets a big, inquiry-based start with the four questions, the mah nishtana. The Seder is all about engaging children in the story of the Exodus narrative and getting them to participate in the drama and experience of the departure from Egypt and the redemption of the Israelite people. The Haggadah is set up so that the children's engagement begins with asking questions.

The Four Questions page from Arthur Syzk's
famous Haggadah from the early 20th century, Poland
The truth is that throughout history, the Jewish people have understood that asking questions creates curiosity and a desire to learn. Jewish exegetes left no angle of the Biblical texts unquestioned, and the Talmudic approach to learning is to ask questions; often answers aren't as important as the discussions that questions engender, and a Beit Midrash -- a Jewish place of study -- is filled with discourse, dissent, and disparate approaches to text and Jewish law. Inquiry leads to vigorous exploration of text and law, true, but also ultimately what it means to be Jewish.

We've been thinking more deeply about the role questions play in education because recently -- and especially over Passover -- , we've been reading A More Beautiful Question by Warren Berger. See the book trailer below:


The book shows the power that asking questions can have in changing the status quo and getting us to think differently about . . . well, just about everything.

Before Passover vacation, we had a chance to ask students in a sophomore English class who had read A Doll's House to look at the play and connect it to another work they'd studied this year. The sophomores then had to ask a big question about their connection. Here are two student responses that made us realize how powerful it can be to get students formulating questions.

We like the way Jonah connected his learning to Passover and the notion of freedom:

In comparison to _Little Bee_, _A Doll's House_ also has the theme of freedom. Both women, in the novel and play, quest for freedom. Little Bee, of the eponymous novel, left her troubles behind in Nigeria to seek out refuge and freedom in England. Nora, of _A Doll's House_ , searched for freedom as well. Initially, her freedom was thought to be achieved by paying off her debt. However, after the event of Krogstad's blackmail, she reconsiderd her personal notion of freedom and happiness in the house of Torvald. In light of the quickly approaching Passover, as well as the two works of literature that we read, what does freedom really mean to you?

Batsheva asks a great question about the sacrifices one might be forced to make in pursuing a grand ideal:

Throughout the year we have discussed giving voice to the voiceless. In Little Bee, Sarah and Little Bee gave a voice to the African children at the price of Little Bee's life. In the play, A Doll’s House, Nora stands up for herself and all the objectified women of her time at the expense of her children. 

At the end of the play, Nora realizes that her husband is a selfish, hypocritical man who has been treating her like a child and a doll, rather than as an equal. “It was tonight, when the miracle didn’t happen. It was then that [she] saw that [he] was not the man [she] thought [he] was” (115). Nora finally stood up for herself and all the objectified women of her time.


Even though Nora is a fictional character, her rebellion taught women of the time to fight for their beliefs. Women would never have been granted the right to vote or to be independent without having to risk everything. Nora gave up her children so she could be independent. To accomplish something worthy, sacrifice and radical transformation is necessary. 

Is it worth losing your loved ones to embark on a personal quest?

To use the terminology Warren Berger introduces readers to: how might we make questioning a more important and frequent component of education -- and our own lives?



Additional Resources


Want to see how these math, science, and engineering teachers work with a PBL coach to create a driving question on wing efficiency in planes?



Finally, have you seen Frisch School English teacher Daniel Rosen's blog post on how the Passover Seder is like a PBL unit? 

Update on the RealSchool Elective

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"The best type of learning happens when students are asked what they want to learn." 
-- Andy Freund and Alberto Safra


The first semester of The Frisch School's RealSchool elective is well underway. We've posted some pictures on our Facebook page and have been tweeting, but we wanted to give a more extensive update. Here are some insights from the students whose various projects are yielding some exciting results and some great experiences in creative learning.

A Children's Book


"The Bennys" Brainstorm!
Benny Lesnick and Benny Weisbrot are writing a children's book about an elementary school child's first airplane trip. "The Bennys" are discovering how hard it is to adapt their language so it sounds like a child is speaking. At every step of the writing process, they've had to stop and think about how a young child would express him- or herself and what kind of language early childhood students would understand. Benny and Benny benefited from a visit from Maimonides School's Naty Katz and Frederique Smits, who, when they visited the RealSchool elective, project tuned the book by pointing out that the text should be concise, since young children wouldn't be able to absorb so much text at once.

Right now "The Bennys" are proofreading and editing their book and deciding on the kinds of illustrations they'd like for it. If they're lucky, Lauren will have time to illustrate their tome.

A Comedy Series


Sammy Katz and David Zucker, who entered the class intending to work on an idea in sports management, changed their project early on in the semester, deciding instead to write a comedy series and then film the pilot episode. Sammy and David's comedy series focuses on the life of a student in an Orthodox Jewish high school who has to balance a dual curriculum, deal with the tensions of Modern Orthodoxy, and simply survive a school day (we wonder where they got this idea from!).

After sketching out the plots for episodes in a first season,
David and Sammy led a writing session where
their classmates project tuned by helping the two decide
what was funny and what needed more humor
Sophomore Oren Mendelow, head of RS' Video Production team,
 taught David (left) and Sammy (right) how to use video equipment
Sammy and David asked the class to be filmed in a scene for their show.
The truth is, whenever Sammy and David need actors or extras,
they tap the RS students who can take a break from their work.
Filming a series and working the video equipment is a lot harder than they thought it would be, reports Sammy. They'll have more feedback once they wrap. Right now, they've just about finished shooting all the scenes they need for their pilot. Then they'll edit and -- hopefully -- have a pilot to air.

Cookbook


Maddie and Marni Loffman ('14) worked on the fashion show;
Marni and senior Talia Schabes began the cookbook that Maddie
is working on now
Maddie Rosen is picking up a project RealSchool has been working on for awhile: a green cookbook. For the past two school years, we've been gathering and testing healthful recipes and tips for going green. Maddie is working on formatting the work, making it unified and visually appealing. She's also continuing to research nutritious recipes. Maddie shared this: "Formatting a cookbook is hard. Once you write a recipe one way, you have to make sure every recipe follows that pattern." Maddie also added that "writing the recipes out makes vegetables so much more appetizing."

Thanks to Nina Kampler for inspiring this tomato soup recipe
for our cookbook!
Today, working on a tomato soup recipe, Maddie commented, "Honey, as opposed to sugar, in tomato soup is interesting."


Energy-Producing Floor


Our one engineering project in the RealSchool elective is an energy-producing floor Andy Freund and Alberto Safra are working on. They're teaching us some pretty interesting terms, such as piezoelectricity, which converts mechanical energy to electric and vice versa. Consulting every once in a while with one of Frisch's chemistry teachers, Mr. Evan Silberstein, Andy and Alberto are bringing in and sometimes cooking up all sorts of intriguing materials:

Andy made these crystals at home but failed forward:
they weren't good enough to use in the motherboard for the floor
We like that the students not only learn about each other's projects,
but sometimes stop what they're doing on their own work
when another team is doing something particularly fascinating.
Here, Alex (left), who is working on a Parkour website,
helps Andy break down crystals
Early on in the semester, Naty Katz and Frederique Smits,
from Maimonides in Boston, stopped by to visit the RS elective.
They were great project tuners!
Alberto gets busy making the motherboard

Medical Illustrations



Lauren Kershenbaum has been busy combining her talents in art with her interest in medicine. She's creating medical illustrations, a unique and fascinating choice for a self-directed learning project. Lauren works assiduously each day, turning out drawings of the various muscles and organs of the body. Here is a sampling of her work:

Lauren not only does beautiful work; she works quickly as well,
creating at least one illustration a day.
The muscles of the third finger
We love the multiple angles of these lips and mouths

Parkour 


Alex Kershenbaum -- Lauren's twin brother! -- and Eitan Prince are working on a website on Parkour. The site will feature videos the two are making that demonstrate how to execute Parkour moves as well as explanations of the physics involved in the sport and which muscles are employed when doing it. We love the multi-disciplinary nature of this project, and . . . how cool is this photo of Alex?


So far, the two have shot video -- with equipment The Covenant Foundation donated to Frisch RealSchool -- that they're now editing, and have come a long way on the website, but we're going to wait until the two are done before we debut it!

We love everything Alex and Eitan are using for this project: athletic ability, knowledge of physics, videography, website design, and more.

It only looks like they're texting each other; in truth,
Alex and Eitan are busy building their Parkour website

A Stress Handbook


The RS elective is offered to juniors, whom we all know are some of the most stressed out students in high school. No wonder, then, that once Amanda got done making this informative video about manmade disasters for RealSchool's Fashion Show and Dance Performance this year, she decided to create a stress management handbook for the school. So far, Amanda has taught us:
  • our mental states directly impact our physical state so that  . . .
  • physical ailments are really caused by stress
  • sleep, healthy eating, exercise, and relaxation relieve stress
Amanda working hard so students can feel less stress
. . . about working hard

Detox for the Decalogue


With the Jewish holiday Shavuot coming up, Amanda's work made us want to incorporate it into our Detox for the Decalogue program. Detox for the Decalogue is RealSchool's three-day preparation for Shavuot, the holiday on which we celebrate the receiving of the Torah. Based on the fact that the Israelites had a three-day preparation for Moses' giving them the Tablets of the Law, which is the basis of the Torah, the Detox program focuses on physical, mental, and spiritual health. 

Amanda's project will be perfect for the mental health day in particular, but it shows how physical, mental, and spiritual health are all, as we know, interconnected. Once we were thinking about using Amanda's project and turning the Detox program into the class's Project Fair, we saw how easily some of the other projects also fit into the program. Obviously, the cookbook works well for physical health, as does the Parkour website. Andy and Alberto's energy-saving floor will also be featured on our physical health day, as it shows us how we can stay healthy by walking and make the earth more sustainable by doing so.

Lauren's medical illustrations won't only be used as visual reminders to keep fit; they'll also be part of an art exhibit on the power of prayer. We'll juxtapose the drawings with the blessings we say each morning, which make us grateful for our bodies and the wonderful way they work. The art exhibit will, additionally, be used for RealSchool's Yom Iyun, our student-run learning program, which this year is May 27, right before the Detox for the Decalogue. 

The children's book and comedy series were tougher to incorporate into the program, but here's where the students hit on something that educational innovators are working hard to make people understand: the importance of creativity. The students felt all the projects they've been working on are creative, and the ones that weren't necessarily about physical or mental health should be featured on the spiritual health day, because creativity is something we all need in order to survive. How's that for the meta-purpose of the class having its intended impact? 

It's been a really wonderful first semester so far for the official Frisch RealSchool elective, and we can't wait to see and share the final projects.

Social Entrepreneurship attends a Lean Impact Summit

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RealSchool has been busy with so many different projects that we haven't had time to update our blog recently, but we're catching up, and in chronological order, we want to share what we've been up to.

Our Social Entrepreneurship team at the Lean Impact summit!

First, on December 5, the Social Entrepreneurship team attended the Lean Impact summit in NYC. Frisch English teacher Rabbi Daniel Rosen chaperoned, and we enjoyed his droll observations about the day:

In summary, first we went to the Coffee Bean and Tea Leaf on Bleeker. That was nice. Then, the first part was about funding.

The Social Entrepreneurship team enjoyed meeting the conference organizer Leeanne Pittsford, who gave them some tips about how to refine a project we're working on and will be pitching soon ;). The first thing Ronit Langer ('15) texted us from the conference was that in order to do something, "you've got to get out of the building." We couldn't agree more. 

Ronit also shared the following ideas she learned at the conference about social entrepreneurship:

Know your audience: be specific
Know your product: a service or solution to a problem
Is there demand?
Get rid of assumptions about everyone
Get young people
Find the root of the problem
Experiment

Find stories and use data
Deal with poverty: half the world that's not poor should want to get other half not poor
Find new ways to solve old problems
Build-measure-learn cycle, proposal-grant-execute-follow-up: takes a long time
Program can be started in as little as 9 weeks
Entrepreneurs pitched their ideas to the judges
and participants at the summit.
Judges critiqued pitches and gave tips on refining
presentations and business ideas.
A lot of the ideas the conference espoused are ones we value in RealSchool: rough demo-ing; failing fast to fail forward; learning by doing; believing in youth.
The RealSchool members also discovered the power and fun of networking, enjoying meeting young entrepreneurs, including Megan O'Connor from Pencils of Promise, an organization that two juniors at Frisch have brought to the school.
The students also kept hearing about Eric Reis' book The Lean Startup, which we immediately ordered and are now passing around in RealSchool.


All in all, the Social Entrepreneurship team got out of the building and got a lot out of the day!

The Story of Freundian Safrology

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Two Epistemologists Fail at their Greatest Project

Andy Freund and Alberto Safra attempted to create an energy-producing floor using piezoelectric crystals. Lets take a look at what they did:

1) To start, Andy and Alberto brainstormed through the entire process of how and why the property of piezoelectricity worked. Piezoelectricity is a property that some substances possess, that converts mechanical energy to electrical energy and vice versa.

Naty Katz project tunes.jpg

2) Next they began to build the circuit board; the circuit board consisted of two pieces of cardboard, copper wire and loads of staples to hold the wire in place. The piezoelectric crystals along with the long string of wire, would join together to create one huge series circuit.

Alberto+and+motherboard.jpg


3) Third, Andy cooked up a batch of Rochelle Salt (Potassium Sodium Tartrate) using baking soda, cream of tartar and distilled water. First, Andy baked 500 grams of baking soda for four consecutive hours, each hour raising the temperature 100 degrees Fahrenheit (starting at 150 degrees Fahrenheit). This process transforms baking soda (Sodium Bicarbonate) into washing soda (Sodium Carbonate). Now with the newly formed Sodium Carbonate, Andy mixed the washing soda with 250 milliliters of distilled water with 200 grams of cream of tartar (Potassium Bitartrate). Next, he put the mixture contained in a 600 milliliter beaker into a saucepan filled with approximately 1 centimeter of water until the water simmered. Then he added a half-teaspoon of washing soda until the mixture turned clear.

After this the mixture was put into a fridge for 72 hours until the crystals formed.

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4) After the 72 hours, Andy brought the crystals to school. Andy, along with Alex Kershenbaum, separated the larger crystals from the “powder”, by crushing them gently.

Andy and Alex crystals.jpg

Finally Andy and his dad made a crude oscilloscope to test the amount of voltage produced when they were hit with a screwdriver. The voltage peaked at around 200mV.

5) With similar trials done by Alberto, both quartz and amethyst failed the piezoelectric tests at well.
6) The crystals were tested with a simple method. Piezoelectricity converts mechanical energy to electricity and vice versa. Therefore, if one were to apply a charge to it there would be obvious shaking, loud noises, and vibrations. There were not. Therefore, Alberto and Andy concluded that if these primitive stones weren’t even capable of producing the shaking, noises, and vibrations, they couldn’t power a device.


Conclusion: In order for this project to work, Andy and Alberto would need to obtain a more piezoelectric material, which would produce a higher voltage. Although Andy and Alberto could have gotten the piezoelectric coefficients from many sources quite easily -- teachers, books, internet -- they decided that it would be better to LEARN BY DOING. No more would they be undermined by the falsehoods that plague the internet -- they know; they know the truth, because they performed every step of the experiment and understand all the things that worked and didn't work within it. Also, now Andy and Alberto know all the difficulties of producing prototypes, and, in addition, they've realized that in order to succeed, one must fail forward first.

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